24 research outputs found

    Christine Ross Hopper : New York / Suzanne Swannie : Drawings

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    Swannie's series of six textile "drawings", which afford a focused formal analysis of the practice of weaving, are described as signalling a desire to have her work bridge the split between craft and art. Hopper's pastel and photographic collages, which depict coastal scenes of her native, rural Nova Scotia, are seen as emerging from an awareness of historical and contemporary art

    Felicity Redgrave : Night/Spaces

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    Shuebrook discusses formal aspects of Redgrave's watercolour, print and painting renditions of night skies. Biographical notes

    John Clark, David Haigh, Ron Shuebrook and Carol Wainio : Drawings

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    Artist/curator Shuebrook briefly describes drawings by four Halifax artists including himself

    News from Nova Scotia

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    Shuebrook describes the history and influence of institutions and individuals in the development of critical yet varied art practices in Nova Scotia, and then outlines the work and concerns of seven artists. Bibl. 3 p

    Graham Metson

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    Shuebrook surveys Metson's career from before his arrival in Canada in 1968, noting the sources and concerns of his varied work in painting, drawing, collage, and "intermedia." Biographical notes

    Ron Shuebrook : Recent Work

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    "This catalogue documents the more obvious aspects of my life and work. It isolates certain images and events from others. By inclusion, certain works and achievements are seen as more important than others. I find such distinctions compromising and difficult to make, but I can offer no acceptable alternative. This process of selection is very much related to the actual making of art. I work within chosen aesthetic limits. When limits fail to satisfy my needs, I reassess them." -- p. 3

    Connections : Krizan, McAulay & Wright

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    Shuebrook situates the artists' work within a formalist aesthetic tradition while enumerating the influences upon their work. Biographical notes

    Frank Nulf

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    Shuebrook relates Nulf's work to notions of the sublime and describes the artist's preoccupation with "Bog People" victims of ritualized murder during the Iron Age. Biographical notes. 1 bibl. ref

    Susan Gibson : Ten Years

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    Shuebrook examines Garvey's achievement over ten years of drawing from family snapshots, exploring the "implied meanings inherent in her stance" and the existential dimension of her subjects. Biographical notes. 19 bibl. ref
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