19 research outputs found
Lâusage de la poĂ©sie haĂŻku en psycho-oncologie
International audienceAbstract Aim: Our study aims to describe the discourseeffects of specific and structured protocol focused on severalhaiku poems about one patient, who have experienced cancer.Procedure: The protocol consists of 4 steps: a preliminaryexploratory interview, fifteen haiku proposed without a partof the poem (a creative writing filled in by the patient), a freeform haiku composed by the patient, and finally, a finalinterview.Clinical case: A man, D., aged 25, had tumor.Result: Using this protocol, we showed discourse variationson the illness before and after the experience of poetrywriting, by Tropes V8.4 software.Conclusion: Haiku poetry can be a useful tool in the contextof supportive interventions or as preparatory work for engagementin psychotherapeutic intervention. We believe thatthe formal structure of haikus can create conditions for aspecific poetic work composed of: poetic evocation, synthesis,and mapping of the most intimate experiences in oncologyenvironment.RĂ©sumĂ© Objectif : Cette Ă©tude qualitative et exploratoirevise Ă dĂ©crire les effets dâun protocole poĂ©tique centrĂ© surles haĂŻkus en psycho-oncologie sur lâapproche de la maladiechez un patient atteint de cancer.MatĂ©riel et mĂ©thodes : Il sâagit dâun protocole dâĂ©criturepoĂ©tique composĂ© de quatre Ă©tapes : un entretien prĂ©liminaire,la proposition de 15 haĂŻkus (sans le vers du milieu)tirĂ©s de grands auteurs japonais, la rĂ©alisation dâun poĂšmecomposĂ© librement par deux patients atteints de cancer, unentretien final sur lâexpĂ©rience de lâĂ©criture poĂ©tique.Cas clinique : Un homme, M. D., ĂągĂ© de 25 ans, qui est entraitement pour un cancer.RĂ©sultats : Nous montrons les variations discursives utilisĂ©esavant et aprĂšs lâexpĂ©rience de lâĂ©criture poĂ©tique, Ă travers lelogiciel Tropes V8.4.Conclusion : Le travail poĂ©tique avec le haĂŻku peut ĂȘtre unoutil utile, dans un contexte de support clinique en institutionou comme prĂ©paration Ă un travail de psychothĂ©rapie. Nouspensons que la structure formelle des haĂŻkus peut inviter Ă untravail poĂ©tique spĂ©cifique : Ă©vocation poĂ©tique, synthĂšse etschĂ©matisation des vĂ©cus plus intimes en milieu oncologique
A szemĂ©lyisĂ©gkoherencia Ă©s az esztĂ©tikai vĂĄlasz összefĂŒggĂ©sei. A mƱvĂ©szetbefogadĂĄs pszichoanalitikus Ă©s narratĂv pszicholĂłgiai vizsgĂĄlata
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Corporeal Cartography: The Body as a Map of Place-Based Relationships
The drama Heroes and Saints and film Fresh Kill respond to local and global environmental justice issues and generate a corporeal cartography that maps the relationships between place and the body through embodied memory, desire, movement and machine. These bodily maps make environmental injustice visible and intervene to form an alternant future. The texts thus contribute to a canon of activist-oriented literature and participate in a conversation about the agential capacity of literature to expose injustice and activate an intervention. Heroes and Saints and Fresh Kill pose an interest in cartography and the body, and I draw on the theory of Gilles Deleuze and FĂ©lix Guattari to frame the body as a map of place-based relationships. Deleuzian theory posits the map as that which can form rhizomatic connections on a singular plane, and the body functions like a map. Queerness, gender and race shape embodied experience in my primary texts, and this positionality informs the bodily map. Corporeal cartography, then, builds connections and interruptions to generate becomings that can change the future
Corporeal Cartography: The Body as a Map of Place-Based Relationships
The drama Heroes and Saints and film Fresh Kill respond to local and global environmental justice issues and generate a corporeal cartography that maps the relationships between place and the body through embodied memory, desire, movement and machine. These bodily maps make environmental injustice visible and intervene to form an alternant future. The texts thus contribute to a canon of activist-oriented literature and participate in a conversation about the agential capacity of literature to expose injustice and activate an intervention. Heroes and Saints and Fresh Kill pose an interest in cartography and the body, and I draw on the theory of Gilles Deleuze and FĂ©lix Guattari to frame the body as a map of place-based relationships. Deleuzian theory posits the map as that which can form rhizomatic connections on a singular plane, and the body functions like a map. Queerness, gender and race shape embodied experience in my primary texts, and this positionality informs the bodily map. Corporeal cartography, then, builds connections and interruptions to generate becomings that can change the future