23 research outputs found

    A bibliography on the Jews of Malta

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    A bibliographical list of sources on the Jews of Maltapeer-reviewe

    Literary Writing and Personal Identity in Borges and Pessoa

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    In a famous passage in “The Death of the Author,” Roland Barthes describes the writing process as embodying the disintegration of the author’s personal identity: “Writing is that neutral, composite, oblique space where our subject slips away, the negative where all identity is lost, starting with the very identity of the body writing” (142). This postmodern position is deeply rooted in classical Greek thought, in particular Plato’s harsh critique of poetic inspiration, conceived as “holy madness.” Is this equation valid, however? Does writing necessarily serve as the ultimate act of self-negation? This essay seeks to elucidate Jorge Luis Borges’ and Fernando Pessoa’s alternative views of authorial subjectivity. Borges and Pessoa – arguably two of the greatest writers of the twentieth century – conceive the interplay between writing and self-identity in rather complex fashion. Pessoa’s term “heteronym” relates to the way in which an author’s subjectivity abruptly gives way to an idiosyncratic identity who composes the poem. This recalls the Kabbalistic idea of God’s contraction (tzimzum), the creator preserving his or her passive self-identity while giving birth to other beings from his or her inner void. Discussing Shakespeare and Whitman, Borges proposes that the act of writing is a form of self-creation in which the writer begets a unique narrative identity out of himself or herself that, transfigured, is simultaneously both the same and the other

    Nonsense and Irony: Wittgenstein's Strategy of Self-Refutation and Kierkegaard's Concept of Indirect Communication

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    En el prefacio al Tractatus, Wittgenstein establece que la cuestiĂłn del sinsentido tiene que ver con trazar los lĂ­mites del lenguaje. Las expresiones sinsentido van mĂĄs allĂĄ de los lĂ­mites del lenguaje significativo y residen “del otro lado” de lo que puede ser dicho. AĂșn asĂ­, al final del libro declara que sus propias proposiciones son, hablando de manera estricta, sinsentidos. El presente trabajo pretende analizar la estrategia de auto-refutaciĂłn del primer Wittgenstein como un modo de trascender los lĂ­mites del lenguaje, comparando su concepto de “sinsentido” (Unsinn) con la visiĂłn de Kierkegaard acerca de la comunicaciĂłn indirecta y de la ironĂ­a socrĂĄtica

    Imaginative Geography: Dialectical Orientalism in Borges

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    Time and Identity: Socializing Schedules and the Implications for Community

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    This article analyzes data collected as part of an ethnography of three families of Israeli emissaries (shlichim) in order to explore the relationship between the individual, the schedules to which s/he adheres, and her/his affiliation with a particular collective. The paper examines the relationship between time, community, and self through a discourse analytic lens that draws on approaches to the study of cultural identity which look to tension as definitive of groups and their members. It is suggested that an examination of the tensions between the individual and the collective provides a fruitful means by which to investigate the meaning of time for society and self

    Imaginative Geography: Dialectical Orientalism in Borges

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    The following essay investigates Borges’ cultural-ideological stance as an Argentinean writer opposed to national literature and ideological rhetoric. This position will be elucidated via a comparison with Edward Said’s Orientialism which, following Foucault, argues that literature is subservient to the ideological paradigms of the period. The discussion demonstrates how Borges presents a dialectical orientalism in his work: a philosophical-universal position deviating from the delimited framework of national ideology, hereby establishing an uni-ideological philosophical and transcultural view of the interrelationship between “East” and “West.” In line with Said, the essay examines the literary representation of Islam in Western literature, focusing on the image of Mahomet in Dante's Divine Comedy
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