634 research outputs found

    A FILM FROM WALES: WELSH IDENTITY AND THE CHILDREN’S FILM FOUNDATION

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    This article examines the work of the Children’s Film Foundation (CFF) in Wales. The CFF was founded in 1951 to make films for children and supported a network of Saturday morning cinema clubs which were popular until the 1970s. While considering the role of these clubs in Wales, the article focuses on CFF films with a specific Welsh dimension, particularly A Letter from Wales (1953), which was released in English- and Welsh-language versions. Made by the independent producer Brunner Lloyd, the film illustrates prevailing stereotypes of Wales and the Welsh. The article makes the case for its significance in establishing a lyrical image of rural Welsh life

    Terence Fisher and British Science Fiction Cinema

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    Terence Fisher is a major figure in British cinema of the 1950s and 1960s whose work has been written about a number of film historians including David Pirie and Peter Hutchings. However, this academic work has largely concentrated on Fisher’s popular and influential Gothic horror films made for Hammer studios. His early work of the 1950s in the crime and science fiction genres has often been neglected as it does not fit in the horror category with which he is usually associated. This essay is the first to consider the five science fiction films which Fisher made during this period. The focus is twofold. Firstly, the essay traces the authorial characteristics which typify his work and shows how these are manifest in the films under consideration. Secondly, in placing the films within the wider context of British science fiction of the post-war era, consideration can be given to political and historical discourses within the work. The latter allows for a detailed discussion of the impact of the Cold War on British culture as British science fiction, and Fisher’s work specifically responded directly to the public anxieties produced by the political situation of the period. A number of British science fiction film and novels provide evidence of this and the approach offers a fruitful way to examine Fisher’s films. The essay appears in a relatively new journal but one which has already established itself as the leading publication on the genre in the UK, offering an alternative view to more established publications from the US. The essay contributes to recent attempts to revisit the existing science fiction cannon and explore previously neglected work, as well as adding to the broader discussion of the 1950s and 1960s as crucial periods of radical change in recent British cultural history

    Field excursion to the Gramscatho Group of south Cornwall, 5th January 1991

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    Gramscatho-Mylor facies relationships; Hayle, south Cornwall

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    The Gramscatho Group and the Mylor Slate Formation are the two main lithostratigraphic groups that outcrop in south Cornwall. Their mutual relationship has been disputed for some time because of poor palaeontological control and the effects of polyphase deformation. A study of the lithofacies exposed around Hayle suggests a breakdown of the generally valid lithostratigraphy. A transitional zone occurs in which Gramscatho and Mylor lithofacies are seen to be contemporaneous and are interpreted as a rise-slope association. On the scale of south Cornwall, the Gramscatho Group comprises basinal and rise deposits whilst the Mylor Slate Formation comprises rise, slope and possibly outer shelf deposits
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