The wondrous eyes of a new technology:A history of the early electroencephalography (EEG) of psychopathy, delinquency, and immorality

This article presents a history of the early electroencephalography (EEG) of psychopathy, delinquency, and immorality in Great Britain and the United States in the 1940s and 1950s. Then, EEG was a novel research tool that promised ground-breaking insights in psychiatry and criminology. Experts explored its potential regarding the diagnosis, classification, etiology, and treatment of unethical and unlawful persons. This line of research yielded tentative and inconsistent findings, which the experts attributed to methodological and theoretical shortcomings. Accordingly, the scientific community discussed the reliability, validity, and utility of EEG, and launched initiatives to calibrate and standardize the novel tool. The analysis shows that knowledge production, gauging of the research tool, and attempts to establish credibility for EEG in the study of immoral persons occurred simultaneously. The paper concludes with a reflection on the similarities between EEG and neuroimaging – the prime research tool in the current neuroscience of morality – and calls for a critical assessment of their potentials and limitations in the study of immorality and crime

Ten Ragas to a Disco Beat: Futurism and Pirate Modernity in South Asian Electronica

Ravi Sundaram’s conception of recycled, or pirate, modernity was first deployed to explain the extralegal circuits of production and consumption of pirated and counterfeit goods, particularly in India. This thesis argues that the production, performance, distribution, and consumption of South Asian electronic music can be read under the specter of an aestheticization of the circuits of pirate modernity. Through sampling, glitching, and remixing artifacts, sometimes with pirated software or counterfeit hardware, South Asian electronica situates itself in youth culture as an underground form of sound. This is a music that concerns itself with futurity and futurism, doubly so by its links to the diaspora and to Afrofuturist readings, and with the physicality of the sound wave. The thesis also suggests a shift in the economic and political import of pirate modernity wrought by this aestheticization, examining how it has been appropriated for profit and mobilized for political use

Dynamic impacts of a financial reform of the CAP on regional land use, income and overall growth

http://ageconsearch.umn.edu/handle/4364