Digital documentation and analysis of Native American rock art and Euro-American historical inscriptions from the Canyons of the Ancients National Monument, Colorado

Szczegółowa fotogrametria i skanowanie laserowe 3D sztuki naskalnej, badania geofizyczne i wykopaliska sondażowe przeprowadzone w Painted Hand Petroglyph Panel, ogromnym stanowisku ze sztuką naskalną w południowo-zachodniej części Kolorado w USA, ujawniły nowe informacje na temat sytuacji kulturowej na prekolumbijskim i historycznym Południowym Zachodzie Ameryki Północnej.Detailed photogrammetry and 3D laser scanning of rock art, geophysics research and sondage excavations conducted at the Painted Hand Petroglyph Panel, a large rock art site in south-western Colorado, USA, has revealed new information about the cultural situation in the pre-Columbian and historic North American Southwest

Heizer and Clewlow: Prehistoric Rock Art of California

Prehistoric Rock Art of California. Robert F. Heizer and C W. Clewlow, Jr. 2 vols. Ramona, California: Ballena Press, 1973. 149 pp., maps, tables, appendices, bibliography, 23 plates, 384 figures. $12.50

Sandals as Icons: Representations in Ancestral Pueblo Rock Art and Effigies in Stone and Wood

Dating the late 1000s to the mid-1200s CE, petroglyphs of sandal images are among others that distinguish ancient Pueblo rock art in the San Juan and Little Colorado River drainages on the Colorado Plateau from Ancestral Pueblo rock art elsewhere across the Southwest. The sandal “track” also has counterparts  as effigies in stone and wood often found in ceremonial contexts in Pueblo sites. These representations reflect the sandal styles of the times, both plain in contour and the jog-toed variety, the latter characterized by a projection where the little toe is positioned. These representations are both plain and patterned,  as are their material sandal counterparts. Their significance  as symbolic icons is their dominant aspect, and a ritual meaning is implicit.  As a component of a symbol system that was radically altered after 1300 CE, however, there is no ethnographic information that provides clues as to the sandal icon’s meaning. While there is no significant pattern of its associations with other symbolic content in the petroglyph panels, in some western San Juan sites cases a relationship to the hunt can be inferred. It is suggested that the track itself could refer to a deity, a mythological hero, or the carver ’s social identity. In conclusion, however, no clear meaning of the images themselves is forthcoming, and further research beckons

Castleton: Petroglyphs and Pictographs of Utah, Vol. 1: The East and Northeast

Petroglyphs and Pictographs of Utah, Vol. I: The East and Northeast. Kenneth B. Castleton. Salt Lake City: Utah Museum of Natural History, 1978, 215 pp., maps, 322 figs, (photographs and drawings), refs., site index, $15.95