5 research outputs found
āļāļēāļĢāļāļāļāđāļāļāđāļĨāļ°āļāļąāļāļāļēāļāļĨāļīāļāļ āļąāļāļāđāđāļāļŦāļ°āļŠāļīāđāļāļāļāļāļēāļāđāļĻāļĐāļāđāļēāđāļŦāļĨāļ·āļāđāļāđāļāđāļ§āļĒ āđāļāļāļāļīāļāļāļēāļĢāđāļāđāđāļāļĢāļ·āđāļāļāļĒāļīāļāļāļĢāļĄ (Hand Tufted) āļŠāļēāļŦāļĢāļąāļāļāļĨāļļāđāļĄāļ§āļīāļŠāļēāļŦāļāļīāļāļāļļāļĄāļāļāļāđāļēāļāđāļāļĩāļĒāļāļāļēāļĄ āļāļąāļāļŦāļ§āļąāļāļāļāļĢāļāļēāļĒāļ
āļĢāļēāļĒāļāļēāļāļ§āļīāļāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļāļĒāļēāļĨāļąāļĒāđāļāļāđāļāđāļĨāļĒāļĩāļĢāļēāļāļĄāļāļāļĨāļāļĢāļ°āļāļāļĢ, 2557The purposes of this research Design and development from remnant fabrics by
for Bann Ta Kien Ngam Community enterprises, Nakhon Na yok province to study the
technique and procedure of applying and designing from fabric knit in textile products .
Therefore, the researcher realize that the remnant fabrics which is unused in garment
and apparel manufacturing process to be reused by transform to increase the value of
products such as Textile home furnish to decorate the living room which is designed by
hand Tufted machine and develop to be products and product design is nature design
style.
The processes can be divided into three parts which are surveying information,
creating the prototype and analyzing the products from fabric knit. The information are
collected by using the questionnaire from the sample group to study about the general
information and the opinion from the sample group for applying remnant fabric knit
and transform to be the new products that are summarized that the using of remnant
fabric to create the textile home furnish products for decorate the living roomâs
decoration is 49 percent. Thus, the researcher choose the products that are appropriate
with remnant fabric quality such as carpet, cushions and backrest pillows
And the second process is creating the prototype by using the technique of hand
Tufted machine to create the designs for each product. Then, the research survey
the opinion of the sample group to for prototype. It can be summarize that the beautiful
interesting design is 66 percent, the beautiful and appropriate design is 56 percent,
the appropriate color using is 52 percent and the utility of the product is 60 percent.Rajamangala University of Technology Phra Nakho
āļāļēāļĢāļāļąāļāļāļēāļĨāļ§āļāļĨāļēāļĒāļāđāļēāļāļāđāļāļĒāļ§āļāđāļāļ·āđāļāļāļēāļāļāļāļāđāļāļāđāļāļāļąāđāļ
āļĢāļēāļĒāļāļēāļāļ§āļīāļāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļāļĒāļēāļĨāļąāļĒāđāļāļāđāļāđāļĨāļĒāļĩāļĢāļēāļāļĄāļāļāļĨāļāļĢāļ°āļāļāļĢ, 2557The purposes of Motifs Development of Chok Tai-Yuan Fabrics for Fashion
Design are to develop the Tai-Yuan Jok fabricâs patterns in Ratchaburi for fashion
designing; and to create the patterns that can be applied for men and women apparel
designing.The study aims to develop the Tai-Yuan Jok fabricâs patterns in Ratchaburi
province by applying the unique pattern for the design; and to re-design the pattern, by
using the principles of pattern design, to be suit with men and women apparel designing.
Researchers selected the descriptive analysis method with the statistical data for
analyzing the data of Tai-Yuan Jok fabricâs patterns. The collected data were all applied
in developing the styles of Tai-Yuan Jok fabricâs patterns in Ratchaburi. Also, the authors
has surveyed the satisfaction of 100 samples for the work pieces of developing the Tai-
Yuan Jok fabricâs patterns for fashion designing. The survey is to conclude the
satisfaction for the developed patternsâ styles.
The results showed that, nowadays, the Tai-Yuan Jok fabrics in Ratchaburi are
consisted of patterns applied from the weavers by using their experiences in weaving the
Jok fabrics. Thus, the patterns have been combined with the traditional styles and the
applied ones which are done in accordance with the age.Those patterns have different
composition that depends on the weaversâ desire. Patterns can be categorized in three
groups: 1. traditional pattern; 2. the combination of traditional pattern and the applied
one; and 3. the applied pattern. So, this study has selected the feature of traditional
pattern and the dominant feature of applied pattern to be the concepts in developing
the Tai-Yuan Jok fabricâs patterns for fashion designing for 4 patterns. The results of the
survey of the satisfaction from the samples found that they are content with the fabricâs
patterns development. Also, they think that this development of the patterns will
maintain the unique of Tai-Yuan Jok fabricâs patterns in Ratchaburi province and they
will be able to apply these concepts of fabricâs pattern developing with the support of
textile production for fashion design.Rajamangala University of Technology Phra Nakho
āļāļēāļĢāļāļāļāđāļāļāđāļāļĢāļ·āđāļāļāļāļāļāđāļē āđ āļāļ°āļāļ āđāļāļ·āđāļāļāļąāļāļāļēāļāļĨāļīāļāļ āļąāļāļāđāļāļļāļĄāļāļāđāļāļīāļāļāļēāļāļīāļāļĒāđ
āļĢāļēāļĒāļāļēāļāļ§āļīāļāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļāļĒāļēāļĨāļąāļĒāđāļāļāđāļāđāļĨāļĒāļĩāļĢāļēāļāļĄāļāļāļĨāļāļĢāļ°āļāļāļĢ, 2560The purposes of this research were to design and create the weaving machine to āđ-āđ heddles for small sample weaves were not over āđāđ inches width. It brought to use striped woven community sample to develop commercial products by using the physical data of the local woven fabric and fabric size product samples were made for criteria of community design to hold dimensions of the weaving loom and the various components of its. The study found that woven fabrics were made in community products which mainly used hooks not exceed āđ per strip. Repeat stripes as basic weaves structure āđ/āđ and diagonal stripes āđ/āđ weft density of āđāđ-āđāđāđ lines per inch. The fabric sample sizes for the presentation book were offering commercial customers with āđ inches wide and āđāđ inches long. āđ heddles weaving loom were designed and developed by a comb āđ inches wide in āđ heddles. The heddle lift lever system was called elastic spring system, the press lever heddle system was called Countermarches system, weft thread transmission system and impacted them were woven worker type. Roll fabric system and loosed warp thread was adjustable by locking helical gear of warp thread roll.
Two heddles weaving loom design to develop commercial community products can weave for āđ pattern samples that were āđ/āđ plain weave pattern, āđ/āđ diagonal striped pattern, satin pattern, āđ/āđ wings pattern, zigzag twill pattern, tortoise scales pattern and application of basic woven pattern. According to the experiment warp weave fabric size āđāđ/āđ and weft weave size āđāđ/āđ, teeth comb # āđāđ and #āđāđ. When started warp thread placed āđāđ inches into weft thread for āđ threads, interlock with teeth comb. It can be woven in āđāđ inches width. The density of weft thread was āđāđ threads per inch. It can choose woven patterns and bring to make the woven sample to commercial products. The ready woven fabrics were the crafts, worthy of folk wisdom shawls by loom weaving and local fabric pattern.Rajamangala University of Technology Phra Nakho
āļāļĨāļīāļāļŠāļ·āđāļāļ§āļĩāļāļīāļāļąāļĻāļāđ āļāļēāļĢāļāļąāļāļāļēāļāļ§āļąāļāļāļĢāļĢāļĄāļĢāļđāļāđāļāļāļāļĨāļīāļāļ āļąāļāļāđāļŠāļīāđāļāļāļāļāļēāļāļāđāļēāđāļŦāļĄ āļāļēāđāļāļāļīāđ āļāļļāļĢāļĩāļĢāļąāļĄāļĒāđ āļāđāļ§āļĒāļ§āļąāļāļāļāļĢāļĢāļĄāđāļāļīāļāļāļļāļāļŠāļēāļŦāļāļĢāļĢāļĄ
āļĢāļēāļĒāļāļēāļāļ§āļīāļāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļāļĒāļēāļĨāļąāļĒāđāļāļāđāļāđāļĨāļĒāļĩāļĢāļēāļāļĄāļāļāļĨāļāļĢāļ°āļāļāļĢ, 2558The aim of this research is produced the media of history of local craft center in Napho
district, Buriram province, and also the production processes of Mud Mee silk fabric. The
process in weaving the silk Mud Mee is meticulously performed in every step, beginning from
the processes as follows; selecting of silk yarn, degumming, dyeing, Thok, Kwuak, Khon Mee,
put the yarn on Hong Mud Mee, Bleaching, untied silk yarn, roll the untied silk yarn onto the
warping reel and reel the yarn from the spool rack to the spinning wheel.
From the data which obtained from the research to produce media, such as leaflets,
poster and VDO. This media are devised into four topics include Thai and English language,
as follows; (1) the local craft center in Na Pho district, Buriram province, Thailand (2)
preparation and dyeing of silk yarn for Mad Mee silk fabric (3) Mud Mee weaving process:
weaving pattern design and colour of Napho Buriram silk fabric (4) innovative development of
clothing, bag, home textile from Mud Mee silk fabric.
The benefits of produced media to be as a local learning center and cultural tourism
place for doing study field trip, researching. The media are there to guide the history of local
craft center, Mud Mee silk fabric production and Mud Mee silk product for those who are
interested, and transferring knowledge by the media to student and also some group learning.Rajamangala University of Technology Phra Nakho
āļāļēāļĢāļĻāļķāļāļĐāļēāļāļ§āļēāļĄāđāļāļĨāļĩāđāļĒāļāđāļāļĨāļāđāļĨāļ°āļāļēāļĢāļāļģāļĢāļāļāļĒāļđāđāļāļāļāļāđāļēāļāļīāđāļāļāļĩāļāļāļāđāļāļĒāļ§āļ āļāļąāļāļŦāļ§āļąāļāļŠāļĢāļ°āļāļļāļĢāļĩ
āļĢāļēāļĒāļāļēāļāļ§āļīāļāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļāļĒāļēāļĨāļąāļĒāđāļāļāđāļāđāļĨāļĒāļĩāļĢāļēāļāļĄāļāļāļĨāļāļĢāļ°āļāļāļĢ, 2561This research is a qualitative research. The objective is to study and analyze information about The pattern of Pha Sin Tin Jok (Traditionally Sarong )Thai Yuan Saraburi cloth including the changes and the existence of the Thakok Thai Sarong Saraburi in the present (2017 - 2018). Using the concept of social and cultural change and the theory of globalization concepts for analysis. Research area is Mueang District and Sao Hai District Saraburi. The research population is Weaving sarongs Sarong user and local sages. Analytical study issues are Clothing culture in Thailand, Saraburi Promotion from the government Pha Sin Tin Jok (Traditionally) Sarong Thai Yuan Saraburi style and pattern weavers and wisdom transfer.
The research results are Saraburi is a province where Thai Yuan people from Chiang Saen Chiang Rai province Settled in the reign of King Rama I of Rattanakosin Due to war and have inherited the lineage until now. In Sao Hai District Saraburi is the district where most Thai people live and has a unique Lanna cultural foundation Whether language, lifestyle, food and beliefs In the folk textile Has a unique pattern that has been passed down for over 200 years. Clothing culture in Thailand, Saraburi There is also a conservative costume. Especially on special occasions The pattern of Pha Sin Tin Jok (Traditionally Sarong )Thai Yuan Saraburi cloth remains the same style. From the era that migrated from Chiang Saen In addition, there are other sarong fabrics that are used in everyday life, namely woven sarong muk kai and kan. There is a succession of sarong weaving wisdom from the generation to the present, most of which are woven with flowers. In the ancient pattern, there is a conservation of ancient Pha Sin Tin Jok Thai Yuan Saraburi by re-woven according to the original pattern from the ancient Thai sarong that remains in Saraburi. Pha Sin Tin Jok Thai Yuan Saraburi, has been promoted by various government agencies.
There may be changes in the times that have changed with the adaptation to various product designs or the application of sarong work to the era. The existence of Thai people in Saraburi has seen the value of wisdom in their ethnicity. Together with promotion from various sectors That encourages Thai people to be proud Inspired in the conservation of Thai culture and arts. The establishment of Thai Folk Culture Hall in Saraburi The new weaving of the Sarawak sarong from the ancient Pha Sin Tin Jok Thai Yuan Saraburi style Including the floating market That shows the existence of the Thai culture of Saraburi living.Rajamangala University of Technology Phra Nakho