36 research outputs found

    Sex differences in singing and duetting behavior of neotropical Rufous-and-white Wrens (Thryothorus rufalbus)

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    In many tropical bird species, males and females sing together in coordinated vocal duets. Although studies of duetting present unique opportunities for understanding conflict and cooperation between the sexes, very few investigations describe the similarities and differences between male and female singing behaviors. Here, we present the first detailed account of the singing behavior of Rufous-and-white Wrens (Thryothorus rufalbus), a resident tropical duetting songbird. Male and female songs share a similar structure, yet show pronounced sex differences. Male songs have lower frequency characteristics and more repeated trill syllables, and often sound louder than female songs. Males sing more than females, and only males show elevated song output at dawn. Both males and females have song repertoires. Males have an average repertoire size of 10.8 song types, whereas females have a significantly smaller average repertoire size of 8.5 song types. Although males share proportionately more of their song types with neighbors than females do, both sexes share more song types with nearby individuals than with distant individuals. Breeding partners combine their solo songs to create duets. Duets assume a variety of different forms, ranging from simple, overlapping male and female songs to complex combinations of multiple male and female songs. Most duets (73%) are created by females responding to male song. Males respond to female-initiated duets with shorter latencies than when females respond to male-initiated duets. Each pair sings certain combinations of song types in duets more often than can be explained by random association, which demonstrates that Rufous-and-white Wrens have duet types. The most common duet type was different for each pair. Our results show that Rufous-and-white Wrens have pronounced sex differences in song structure, singing activity, repertoire size, repertoire sharing, and duetting behavior. © The American Ornithologists\u27 Union, 2005

    External Characteristics of Houses Prone to Woodpecker Damage

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    Woodpecker (Picidae spp.) damage to houses and buildings is a widespread and locally severe problem, yet the probability and type of damage has never been quantified and related to home characteristics. Woodpeckers excavate holes in homes for a several reasons, mainly for building nest and roost cavities, drumming, and foraging for insects. We examined the external characteristics of houses that were contributing factors in attracting woodpeckers to bore holes in house siding and trim. From March 2001 through April 2002, we surveyed 1,185 houses in the town of Ithaca, Tompkins County, New York. Of the houses visited, 33% had woodpecker problems consisting of either property damage or noise disturbance. The probability of woodpecker-inflicted damage on a house was strongly dependent on siding type. Grooved plywood siding was more likely to be damaged than tongue-and-groove, board-and-batten, clapboard, and nonwood siding types. Probability of damage also increased as the tree density in the yard increased. Interactions occurred between sealant and yard type, and stained houses suffered greater probabilities of woodpecker damage in all wooded yards

    Accuracy of an acoustic location system for monitoring the position of duetting songbirds in tropical forest

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    A field test was conducted on the accuracy of an eight-microphone acoustic location system designed to triangulate the position of duetting rufous-and-white wrens (Thryothorus rufalbus) in Costa Rica\u27s humid evergreen forest. Eight microphones were set up in the breeding territories of 20 pairs of wrens, with an average intermicrophone distance of 75.2±2.6 m. The array of microphones was used to record antiphonal duets broadcast through stereo loudspeakers. The positions of the loudspeakers were then estimated by evaluating the delay with which the eight microphones recorded the broadcast sounds. Position estimates were compared to coordinates surveyed with a global-positioning system (GPS). The acoustic location system estimated the position of loudspeakers with an error of 2.82±0.26 m and calculated the distance between the male and female loudspeakers with an error of 2.12±0.42 m. Given the large range of distances between duetting birds, this relatively low level of error demonstrates that the acoustic location system is a useful tool for studying avian duets. Location error was influenced partly by the difficulties inherent in collecting high accuracy GPS coordinates of microphone positions underneath a lush tropical canopy and partly by the complicating influence of irregular topography and thick vegetation on sound transmission. © 2006 Acoustical Society of America

    Capture and Radio-transmitter Attachment Techniques for Roadrunners

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    Context-Dependent Functions of Avian Duets Revealed by Microphone-Array Recordings and Multispeaker Playback

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    In many tropical animals, male and female breeding partners combine their songs to produce vocal duets [1-5]. Duets are often so highly coordinated that human listeners mistake them for the songs of a single animal [6]. Behavioral ecologists rank duets among the most complex vocal performances in the animal kingdom [7, 8]. Despite much research, the evolutionary significance of duets remains elusive [9], in part because many duetting animals live in tropical habitats where dense vegetation makes behavioral observation difficult or impossible. Here, we evaluate the duetting behavior of rufous-and-white wrens (Thryothorus rufalbus) in the humid forests of Costa Rica. We employ two innovative technical approaches to study duetting behavior: an eight-microphone acoustic location system capable of triangulating animals\u27 positions on the basis of recordings of their vocalizations [10] and dual-speaker playback capable of simulating duets in a spatially realistic manner [11]. Our analyses provide the first detailed spatial information on duetting in both a natural context and during confrontations with rivals. We demonstrate that birds perform duets across highly variable distances, that birds approach their partner after performing duets, and that duets of rivals induce aggressive, sex-specific responses. We conclude that duets serve distinct functions in aggressive and nonaggressive contexts. © 2008 Elsevier Ltd. All rights reserved

    Principles of animal communication

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    xiv, 697 p. ; 29 c

    Overlapping signals in banded wrens: long-term effects of prior experience on males and females

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    We tested the signal value of song overlapping in banded wrens (Thryothorus pleurostictus), using interactive playback to either overlap or alternate with their songs. Males shortened song duration and decreased variability in song length when their songs were overlapped by playback, suggesting that they were attempting to avoid being overlapped and perhaps being less aggressive. A novel finding was an effect of long-term prior experience: song lengths remained relatively short in alternating trials that followed two or more days after overlapping trials. Approach responses to the two treatments did not differ overall, but there was a parallel effect of prior experience: males tended to stay further from the speaker during alternating treatments if they had previously been overlapped by playback. Some females paired to the male subjects sang in response to playback and were also influenced by prior experience, singing more during alternating trials that had not been preceded by an overlapping trial. Male overlappers may signal dominance over a rival to other male or female receivers in a communication network, but it is currently unclear whether overlapping indicates motivation to escalate an aggressive interaction or whether this singing strategy is related to male quality. Banded wrens are long lived and maintain year-round territories, so modifying responses to rivals based on prior experience is likely to be important for success. Copyright 2006.communication networks; interactive signals; female song; male quality; song overlap
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