Mabadi`u al Riyadhiyat al Jami'iyah Fi al 'Ulumi al Idariyah

385 hlm., 24 cm

Effect of Diluted Acid Pre-Extraction on Soda Pulping of Bagasse

Pre-extraction of hemicelluloses prior to pulping allows co-production of pulp and different hemicellulose-based chemicals in the chemical pulp mills. Due to important impact of hemicelluloses on pulp properties, their pre-extraction would be carried out in controlled conditions to minimize adverse effects on pulp properties. In this study, we focused on the effect of dilute acid pre-extraction on soda pulping and paper properties of bagasse to determine the optimum conditions for hemicelluloses extraction. The pre-extracted with dilute sulfuric acid was performed with 1, 2 and 4% of sulfuric acid concentration (w/v), liquid-to- solid ratio of 5, at 120, and 140 and 160 °C for 5, 10 and 15 minutes. Then, untreated and treated bagasse at selected condition were used to produce soda pulp with 11, 14 and 17% active alkali and then the selected pulps were bleached in ECF sequence. The pre-extraction results showed that dilute acid pre-extraction by 1% H2SO4, at 120 oC for 60 minute provided the best results regarding to extraction yield and residual holocellulose. However, screen yield, bleaching yield, tensile and burst strengths of obtained pulp from extracted bagasse were significantly lower than that obtained from unextracted bagasse, presumably due to considerable extraction of hemicelluloses

Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Ṭarab as Affective Politics

The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world. Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vo