Elinor Glyn's British Talkies: Voice, Nationality and the Author On-Screen

Existing accounts of Elinor Glyn's career have emphasized her substantial impact on early Hollywood. In contrast, relatively little attention has been paid to her less successful efforts to break into the UK film industry in the early sound period. This article addresses this underexplored period, focusing on Glyn's use of sound in her two 1930 British films, Knowing Men and The Price of Things. The article argues that Glyn's British production practices reveal a unique strategy for reformulating her authorial stardom through the medium of the ‘talkie’. It explores how Glyn sought to exploit the specifically national qualities of the recorded English voice amidst a turbulent period in UK film production. The article contextualizes this strategy in relation to Glyn's business and personal archives, which evidence her attempts to refine her own speaking voice, alongside those of the screen stars whose careers she sought to develop for recorded sound. It suggests that the sound film was marked out as an important, exploitable new tool for Glyn within a broader context of debates about voice, recorded sound and nationality in UK culture at this time. This enabled her to portray a distinctively national brand identity through her new film work and surrounding publicity, in contrast to her appearances in American silent films. The article will show that recorded sound further allowed Glyn performatively to foreground her role as author-director through speaking cameos. This is analysed in relation to wider evidence of her practice, where she reflected on the performative qualities of the spoken voice in her writing and interviews, and made use of radio, newsreel and live performance to perfect and refine her own skills in recitation and oration

Exhaustive Generation and Visual Browsing for Radiation Patterns of Linear Array Antennas

Almost any obtainable radiation pattern can be achieved with a phased array antenna if the phases and amplitudes are chosen correctly. However, if these are quantized, it can be a time consuming and difficult process for a human expert to determine the best Quantized excitation coefficients to produce a desired radiation pattern. In this paper, we explore the use of exhaustive generation of all possible permutations of quantized excitation coefficients. We provide visual query methods, which allow a designer to quickly explore the large number of resulting designs. In particular, we demonstrate our techniques with a system for phase-only synthesis of uniform linear arrays with quantized phase coefficients. ISAP 200

Mitsubishi Electric Research Laboratories

We introduce approximate query techniques for searching and analyzing two-dimensional data sets such as line or scatter plots. Our techniques allow users to explore a dataset by defining QueryLines: soft constraints and preferences for selecting and sorting a subset of the data. By using both preferences and soft constraints for query composition, we allow greater flexibility and expressiveness than previous visual query systems. When the user over-constrains a query, for example, a system using approximate techniques can display near misses to enable users to quickly and continuously refine queries

Mitsubishi Electric Research Laboratories

Exhaustive searches were applied to uniformly-excited sparse linear arrays to find the configurations with lowest peak sidelobe levels. By removing interior elements from the non-sparse array and moving the remaining elements to intermediate positions, we found configurations with substantially lower peak sidelobe levels than the non-sparse case with minimal broadening of the main lobe. An interactive, visual browser allows a designer to compare configurations and understand the trade-offs between optimal and sub-optimal designs

The Locomotor Capability Index in diagram form: the Stanmore-Kingston Splat

The Stanmore-Kingston Splat is a graphical display of the goals and achievements of amputee rehabilitation patients using the Locomotor Capability Index. The chart is in a radial polygram form with the sectors coloured and shaded. Three scores can be shown: The patient's capability at delivery of the prosthesis, the goals set for rehabilitation, and the final achievement after the programme. The main advantages are rapid, easy reading for a therapist and convenient use when discussed with the patient at goal setting or progress review. The Splat is being used at Stanmore Disablement Services Centre and an extension to other centres is planned

Westerns, weddings and web-weavers: gender as genre in organizational theory

This article focuses on the process of reading and its role in the construction of knowledge. Reading is an activity which is personal yet never singular: we bring to our reading of one text a range of knowledges, experiences and strategies derived from other texts. This 'intertextuality' means that 'meaning-making' is a complex negotiation process between reader and text, whereby linkages are made between divergent genres. This is explored through the author's own personal experiences of reading gender/organizational theory. These readings demonstrate the way in which 'narratives' of other genres, such as film and fiction, spill over, infect and manipulate the construction of narratives within organizational texts. Further, the ready intertextual connections which are made help to expose some of the embedded assumptions about gender. Whilst these are, in the main, quite traditional, the consideration of the processes involved in reading helps to challenge these as 'truths' as well as signpost possibilities for new forms of writing gender/organizational theor