Титульные страницы и содержание

<p>Do generic observers in their free-style viewing of postcard-size pictures have a preference for spe­cific modes of perspective rendering? This most likely depends upon the phrasing of the question. Here we consider the feeling of ‘presence’: does the observer experience a sense of being ‘immersed in the scene’? We had 40 Italian naïve participants and 19 British art students rate three types of rendering of ten ‘typical holiday pictures’. All pictures represented 130° over the width of the picture. They were rendered in linear perspective, Hauck maps, and Postel maps. The results are clearcut. About a quarter of the participants prefer linear perspective, whereas the Hauck map is preferred by more than half of the participants. Naïve observers and art students agree. Architectural scenes are somewhat more likely to be preferred in perspective. Preferences are not randomly distributed, but participants have remarkable idiosyncratic affinities, a small group for perspective projection, a larger group for the Hauck map. Such facts might find application in the viewing of photographs on hand­held electronic display devices.</p

Malentangled: Function Redacting Tape

The neologism entanglement proposes that all things are connected through super-complex meshworks of mutable interdependencies. This entanglement of interdependencies is often obscured through forgetness, a radically reductive process by which things are taken to be isolated and interdependencies are forgotten. In some instances – for example when objects break – people are again reminded of the interdependentness of things. Malentanglement theory proposes that forgetness may also encounter a remindness through humour, and not only through catastrophe (depunctualisation). The ‘Function Redacting Tape’ project takes redaction as a method for doctoring documents, but it deploys this method in the material context of design. Project Participants are provided with black PVC adhesive tape and invited to consider the functions of designed objects. They are then asked to redact these functions (using the tape) and in doing so to make documented interventions that draw back the metaphorical veil of forgetness for reasons of design enquiry. The project functions as a sort of rudimentary cultural probe that might shed some light on entanglement, humour, and design, whilst simultaneously testing the employment of humour to aid participation in design research

sj-vid-2-ipe-10.1177 2041669518774806 -Supplemental material for View From Outside the Viewing Sphere

<p>Supplemental material, sj-vid-2-ipe-10.1177 2041669518774806 for View From Outside the Viewing Sphere by Jan Koenderink, Andrea van Doorn and Robert Pepperell in i-Perception</p