Searching for the fantastic: an Australian case

Fantasy is the ability of the imagination to visualize and textualize non-existent worlds as real. It is an escape to an imaginary present or past, but often expresses direct criticism of the real world or moral issues. The relation between fantasy literature and myth, the fairytale, and legends is highly complex. Is fantasy and the fantastic just the strange and unknown, and what is its purpose? Is it only imaginary worlds that can be defined as such and what is the role of the reader/listener in interpreting these texts as fantasy? This article will discuss what we mean by fantasy literature in relation to a recent collection of novellas, Legends of Australian Fantasy, their use of myth and its literary expression

Pacific Studies: Quo Vadis?

Looking back to the past this paper discusses why Pacific studies and in particular Australasian studies became an area of interest in tertiary education in Europe. What subject areas initiated these studies, and how do past legacies shape the present? With cutbacks in higher education over the past two decades the future of interdisciplinary studies and the humanities looks bleak. At the same time due to global business and increased political communication across borders there is a vibrant interest in and need for such studies among businesses and students. For most Europeans the literature of settler countries, with their European legacy, makes access to ways of thought and culture easier than studies of countries with other mythological backgrounds. In today’s multicultural environment such studies can provide knowledge for an understanding of other cultures and increase tolerance of the ‘other’. Area studies have relevance to our situation in Europe with increased migrancy, not least as a result of Schengen and EU regulations

Pacific Studies: Quo Vadis?

Looking back to the past this paper discusses why Pacific studies and in particular Australasian studies became an area of interest in tertiary education in Europe. What subject areas initiated these studies, and how do past legacies shape the present? With cutbacks in higher education over the past two decades the future of interdisciplinary studies and the humanities looks bleak. At the same time due to global business and increased political communication across borders there is a vibrant interest in and need for such studies among businesses and students. For most Europeans the literature of settler countries, with their European legacy, makes access to ways of thought and culture easier than studies of countries with other mythological backgrounds. In today’s multicultural environment such studies can provide knowledge for an understanding of other cultures and increase tolerance of the ‘other’. Area studies have relevance to our situation in Europe with increased migrancy, not least as a result of Schengen and EU regulations

Halligan’s Love Affair with Food

Marion Halligan’s non-fiction Eat My Words, (1990), Cockles of the Heart (1996) and The Taste of Memory (2004) all have food as their main topic. Travelling round Europe on culinary journeys and staying in hotels and flats she provides us, as readers, with a wealth of recipes and reflections on the role food plays in people’s lives, socially and culturally. This article will discuss some few of the points Halligan raises as she comments on the pleasure of food; on bricolage, both in the finished product and in cookery books; and the language we use to describe food and its processes. Adopting a bicultural approach Halligan compares Australian foods of today with those of her childhood, thus turning these food books into a kind of autobiography

Christina Stead - An Internationalist and Cultural Mediator

Christina Stead was one of the great Australian writers of the twentieth century. After a revived interest in her work in the 70s and 80s, Hazel Rowley’s Biography (1993) and Chris William’s Christina Stead: A Life of Letters (1989), as well as an issue of Southerly in 2003, Stead is in danger of being once again forgotten. Many of her texts, however, are relevant today as they express attitudes dominant in social media. It is perhaps fitting now in the twenty-first century that we evaluate how relevant her work still is in an age of transculturalism and globalization.We see in some of her texts the same dissatisfaction with politicians, politics and social life expressed in current political events such as Brexit and the Trump phenomenon.

Louisa Lawson and the Woman Question

The start of the women‘s press in Britain in 1855 by Emily Faithfull was an important step on the path to emancipation – women had now a voice in the media. Thirty-three years later Louisa Lawson, who has been called the first voice of Australian feminism, published the first number of The Dawn. This was a watershed in that it gave women a voice, marked women‘s political engagement in the public sphere, and employed women compositors, making available to a broader public issues which were politically relevant. In the first number Lawson asks, ―where is the printing-ink champion of mankind‘s better half? There has hitherto been no trumpet through which the concentrated voices of womankind could publish their grievances and their opinions.‖ This article will look at some of the content in the journal during the seventeen years of its existence, 1888- 1905

Introduction

This issue of Coolabah presents some articles on fantasy and the fantastic. Historically, as critics such as Todorov, Rosemary Jackson, Kathryn Hume, W.P. Irwin and Colin Manlove have pointed out, tales of fantasy date back to Æsop’s fables and Homer. In Britain, Malory’s Morte d’Arthur was an early key text with its legends of King Arthur and the Round Table. Ghosts, witches, and magic are integral elements in the plot of several plays by Shakespeare — beings of the unreal world. The imaginary voyage and exploits in Swift’s Gulliver’s Travels (1726) belong to the world of the fantastic, and yet it is a text with acknowledged political overtones, fantasy often being a guise for political and social critique, as we find later in George MacDonald’s writing. Modern day fantasy plays on these traditional themes, but also provides a more contemporary take on issues, especially when it comes to the media. The diversity of the genre is vast, and explored in this issue