MIGRATIONS / MEDIATIONS. Promoting Transcultural Dialogue through Media, Arts and Culture

This special issue – stemmed from a three-year-research program funded by Università Cattolica that provided encounters, reaserch networks and opened perspectives and collaborations –1 starts from the assumption that migration is a historical and natural phenomenon, but its definition is political, linked to the time frame and socio-economic context, and influenced by the media, as the infrastructure that constitutes the world, in material and symbolic ways. Today, both social interaction and cultural reproduction pass through the media. Whether analog or digital, media contribute to the process of construction of reality by people, as well as to the formation of shared imaginaries and social representations. By suggesting to us what and how to think, old and new media – together with a multiplicity of institutions, subjects, sources, tools and communicative practices that coexist rather than replace each other – shape our common sense of the world2. Sometimes fueling fear of the other and legitimizing its criminalization, sometimes stimulating curiosity and empathy3 toward the other and the elsewhere

REIMAGINING NARRATIVES ON MIGRATION The Role of Media, Arts and Culture in Promoting Transcultural Dialogue

In the last decade, the representation strategies and discursive practices enacted by a wide range of state and non-state actors have been presenting irregular migrants crossing borders as an ‘emergency’ to be managed in terms of a wider social, cultural and political ‘crisis’. These media representations of migration and asylum seeking as a ‘crisis’ have outstripped the reality of the situation. In order to go beyond this depoliticised politics, that is based on detached forms of compassionate care and technocratic control, it is essential to enhance an alternative vision of solidarity that is capable of recognizing the other as a human being and unveiling the harsh oppressive conditions of the global and local structures of injustice. Thus, moving away from othering and alarmist, depoliticised representations of the others, the article calls for the need to challenge current narratives and discourses and to create and construct alternative one

Reimaginig Narratives on Migration. The Role of Media, Arts and Culture in Promoting Transcultural Dialogue

Migration is a historical and natural phenomenon, but its definition is political, linked to the time frame and socio-economic context, and influenced by the media, as the infrastructure that constitutes the world, in material and symbolic ways. Today, both social interaction and cultural reproduction pass through the media. Whether analog or digital, media contribute to the process of construction of reality by people, as well as to the formation of shared imaginaries and social representations. In the last decade, the representation strategies and discursive practices enacted by a wide range of state and non-state actors have been presenting irregular migrants crossing borders as an ‘emergency’ to be managed in terms of a wider social, cultural and political ‘crisis’. These media representations of migration and asylum seeking as a ‘crisis’ have outstripped the reality of the situation. In the dominant Eurocentric discourses on migration numerous myths and misconceptions prevail. Although the “migrant crisis” is constructed in its historical and symbolic frame, its consequences are real: de-humanising migrants and asylum seekers, these narratives legitimise inequal power relations connected to the right to move and mask unjust and hegemonic treatments. Media, arts and culture have many important roles to play: they can foster innovative practical actions, and also alternative imaginaries on social phenomenon and spaces of collective participation