Border Insecurity: Reading Transnational Environments in Jim Lynch’s Border Songs

This article applies an eco-critical approach to contemporary American fiction about the Canada-US border, examining Jim Lynch’s portrayal of the British Columbia-Washington borderlands in his 2009 novel Border Songs. It argues that studying transnational environmental actors in border texts—in this case, marijuana, human migrants, and migratory birds—helps illuminate the contingency of political boundaries, problems of scale, and discourses of risk and security in cross-border regions after 9/11. Further, it suggests that widening the analysis of trans-border activity to include environmental phenomena productively troubles concepts of nature and regional belonging in an era of climate change and economic globalization. Cet article propose une lecture écocritique de la fiction étatsunienne contemporaine portant sur la frontière entre le Canada et les États-Unis, en étudiant le portrait donné par Jim Lynch de la région frontalière entre la Colombie-Britannique et Washington dans son roman Border Songs, paru en 2009. L’article soutient que l’étude, dans les textes sur la frontière, des acteurs environnementaux transnationaux – dans ce cas-ci, la marijuana, les migrants humains et les oiseaux migratoires – jette un jour nouveau sur la contingence des limites territoriales politiques, des problèmes d’échelle et des discours sur le risque et la sécurité des régions transfrontalières après les évènements du 11 septembre 2001. Il suggère également qu’en élargissant l’analyse de l’activité transfrontalière pour y inclure les phénomènes environnementaux, on brouille de façon productive les concepts de nature et d’appartenance régionale d’une époque marquée par les changements climatiques et la mondialisation de l’économie

Memories of a Dying Industry: Sense and Identity in a British Paper Mill

Frogmore paper mill is a kind of time machine that allows historians of technology and the senses to study mechanized paper-making as it was done one hundred years ago. Before the introduction of instrumentation and automatic process control paper-making depended profoundly on the embodied skills of the workers. This paper will focus on the sensory knowledge and skills required for monitoring and controlling old machinery. Investigating skills-in-use will help to unravel the close link between sensing and acting to keep a continuous production process stable and running. Paper-makers would shift intuitively between different senses and sensory modes of monitoring and diagnosing sensory tell-tales to balance the production process. The importance of sensory knowledge and embodied skills also shaped paper-makers’ self-perception and professional ethos. The paper will examine the impact of new process control technology on the crucial role of sensory skills for the paper-makers’ individual and collective identities

A Working Knowledge of the Insensible? Radiation Protection in Nuclear Generating Stations, 1962–1992

Radiation is a workplace hazard that eludes the sensing body, or seems to. After Chernobyl and Three Mile Island, Kai Erickson described radiation as “an invisible threat,” “the very embodiment of stealth and treachery.” The first generation of Canadian nuclear power workers, from their four decades of experience around reactors has a different sense of the matter. They describe a physical awareness of the morphology and topography of radiation, a cultivated bodily knowledge that informed their actions as they produced power. They describe a “feel and a touch for the plant,” framed in theoretical studies, made through attentiveness and alert expectation, honed by being out and about in the station, being its intimate, “listening to its very cries.” By their telling, “doesn\u27t feel right” ceased to be a metaphor about their workplace circumstance, and through study and practice, became a bodily effect, a report from the somatic. Key to work safety for Canadian nuclear workers were close study of the theory of ionizing radiation, adeptness with both the instruments which made radiation apparent and the calculations that made the readings on dials into qualitatively and spatially distinctive workplace presences, and skill in choosing, donning, building, and removing physical barriers between their bodies and radiation fields. Through this knowledge and practice, Canadian nuclear workers came to embody the hazards of the job. This working knowledge of the insensible enabled them to be responsible for their own radiation protection and for the safety of those with whom they worked