Evaluation of an Algorithm for the Automatic Detection of Salient Frequencies in Individual tracks of Multi-track Musical Recording

This paper evaluates the performance of a salient frequency detection algorithm. The algorithm calculates each FFT bin maximum as the maximum value of that bin across an audio region and identifies the FFT bin maximum peaks with the highest five deemed to be the most salient frequencies. To determine the algorithm’s efficacy test subjects were asked to identify the salient frequencies in eighteen audio tracks. These results were compared against the algorithm’s results. The algorithm was successful with electric guitars but struggled with other instruments and in detecting secondary salient frequencies. In a second experiment subjects equalised the same audio tracks using the detected peaks as fixed centre frequencies. Subjects were more satisfied than expected when using these frequencie

An investigation into the efficacy of methods commonly employed by mix engineers to reduce frequency masking in the mixing of multitrack musical recordings

Studio engineers use a variety of techniques to reduce frequency masking between instruments when mixing multi-track musical recordings. This study evaluates the efficacy of three techniques, namely mirrored equalization, frequency spectrum sharing and stereo panning, against their variations to confirm the veracity of accepted practice. Mirrored equalisation involves boosting one instrument and cutting the other at the same frequency. Frequency spectrum sharing involves low pass filtering one instrument and high pass filtering the other. Panning involves placing two competing instruments at different pan positions. Test subjects used eight tools comprising a single unlabeled slider to reduce frequency masking in several two instrument scenarios. Satisfaction values were recorded. Results indicate subjects preferred using tools that panned both audio tracks

Final evaluation of the saving gateway 2 pilot: main report

The Saving Gateway is a government initiative aimed at encouraging savings behaviour among people who do not usually save. Each pound placed into a Saving Gateway account is matched by the government at a certain rate and up to a monthly contribution limit. Matching provides a transparent and understandable incentive for eligible individuals to place funds in an account

Audio interfaces should be designed based on data visualisation first principles

Audio mixing interfaces (AMIs) commonly conform to a small number of paradigms. These paradigms have significant shortcomings. Data visualisation first principles should be employed to consider alternatives. Existing AMI paradigms are discussed and concepts of image theory and elementary perceptual elements outlined. AMIs should be evaluated by usability experiments however performing these properly is time-consuming. There are many data visualisation options and combinations. Collaboration with others would enable a greater range to be explored. Better understanding data visualisation will benefit audio and music interface development in general

Novel Designs for the Audio Mixing Interface Based on Data Visualisation First Principles

Given the shortcomings of current audio mixing interfaces (AMIs) this study focuses on the development of alternative AMIs based on data visualisation first principles. The elementary perceptual tasks defined by Cleveland informed the design process. Two design ideas were considered for pan: using the elementary perceptual tasks ‘scale’ to display pan on either a single or multiple horizontal lines. Four design ideas were considered for level: using ‘length’, ‘area’, ‘saturation’ or ‘scalable icon’ for visualisation. Each level idea was prototyped with each pan idea, totalling eight novel interfaces. Seven subjects undertook a usability evaluation, replicating a 16 channel reference mix with each interface. Results showed that ‘scalable icons’, especially on multiple horizontal lines appear to show potential

Formal usability evaluation of audio track widget graphical representation for two-dimensional stage audio mixing interface

The two-dimensional stage paradigm (2DSP) has been suggested as an alternative audio mixing interface (AMI). This study seeks to refine the 2DSP by formally evaluating graphical track visualisation styles. Track visualisations considered were text only, circles containing text, individually coloured circles containing text, circles colour coded by instrument type with text, icons with text superimposed, circles with RMS related dynamic opacity and a traditional AMI. The usability evaluation focused on track selection efficiency and included user visualisation preference for this micro-task. Test subjects were instructed to click five randomly selected tracks for a six, sixteen and thirty-two track mix for each visualisation. The results indicate text only visualisation is best for efficiency however test subjects preferred icons and traditional AMI