Writing in Graduate School: A Found Poem

The author presents and reflects on a found poem she composed from the final papers of students in her multidisciplinary graduate writing class

Self-Contradiction in Faculty\u27s Talk about Writing: Making and Unmaking Autonomous Models of Literacy

In Writing Across the Curriculum/Writing in the Disciplines and Academic Literacies, researchers have produced compelling evidence of the disjunction between faculty members’ assertions that good writing is universal—i.e., the autonomous model of literacy—and faculty’s own tacit practice of discipline-specific conventions. In studies of race and language in education, scholars have identified disconnections between what teachers profess to value—e.g., students’ right to their own language—and how they actually grade. Contradictions are a natural part of any ideology, and these are commonly understood to demonstrate the resilience of the autonomous model. In this article, however, I introduce a set of theoretical tools from the sociology of scientific knowledge—namely, the concept of interpretative repertoires and of variability in participants’ interpretations as an analytic resource—that can reveal cracks in the autonomous model. Although these tools are over thirty years old, they have not circulated widely in literacy and composition studies. I apply the tools to text-based interviews with two faculty writers who had espoused universal “rules” for writing. After identifying apparent disconnections between the rules and their own practices or those of other writers with whom they worked, I present this evidence to them and analyze their explanations: They maintain that the rules still apply, but their accounts are complex, shifting, and self-contradictory. These case studies reveal, rather than its strength, the inherent instability of the autonomous model. Ultimately, I hope that these research tools can, in conjunction with systemic efforts, aid in dismantling the construct of “good writing” and its inherent privileging of white language practices

Chapter 13: Preparing Graduate Students and Contingent Faculty for Online Writing Instruction: A Responsive and Strategic Approach to Designing Professional Development Opportunities

This chapter describes a responsive and strategic approach to the development of an asynchronous online mini-course in online writing instruction (OWI) for both graduate TAs and contingent faculty in the University of Louisville’s Composition Program. Demonstrating the importance of responding to local contexts, the authors reflect on the conditions shaping their own course design and, based on their experience, provide suggestions for WPAs who are in similar positions. This reflection is organized around seven key questions for WPAs to consider as they design their own professional development in OWI

“She’s Definitely the Artist One”: How Learner Identities Mediate Multimodal Composing

Multimodal composing can activate literacy practices and identities not typically privileged in verbocentric English classrooms, and students’ identities as particular kinds of learners (e.g., “visual artist”) may propel—or limit—their engagement in classroom work, including in multimodal composing. Although researchers have studied the ways multimodal projects can evidence literacy learning and have argued that identity is negotiated, improvisational, and hybrid, they have offered few sustained analyses of the processes by which identities evolve during and across multimodal composing tasks. By examining how students position themselves and one another as particular kinds of learners over time, researchers can better understand the ways in which multimodal tasks help students explore new skills and roles or reify old ones. Drawing on an approach to discourse analysis from the linguistic anthropology of education, we trace the pathways of three 12th graders’ learner identities across two events as they worked in a group to compose visual responses to literary texts for their English class. We examine how one student’s robust identity as an artist emerged in tandem with the devaluing of other participants’ artist identities. Seven weeks later, these positionings led her to act as the painting’s primary author and other students to act in increasingly perfunctory ways. We call for teachers and researchers to consider how students’ identities—interacting with factors such as the teacher’s expectations for group work and the affordances of particular media and materials for collaboration—drive students’ participation in and ownership of multimodal compositions

Consent to Surgery

The legal aspects of a patient\u27s consent to operation, or the lack of such consent, are many and varied. The general rule is that consent of the patient, or of someone authorized to act for him, is necessary in order for a physician to legally operate. This rule is not altered by the fact that an unauthorized operation is slight and ordinarily is not accompanied by serious consequences. Where no consent is present, a surgical operation upon the body is a technical battery, and in the absence of exceptional circumstances, appropriate damages may be recovered from the physician. The question as to whether consent, either either express or implied, has been given, is one of fact for the jury

“I Didn’t Want to Make Them Feel Wrong in Any Way”: Preservice Teachers Craft Digital Feedback on Sociopolitical Perspectives in Student Texts

This qualitative multicase analysis investigated the role of “educational niceness” and “neutrality” (e.g., Baptiste, 2008; Bissonnette, 2016) in preservice English teacher feedback on sociopolitical issues in student writing. As part of the field experiences for several ELA methods courses at two universities, one urban and one rural, the teacher-researchers used Google Docs and other technologies (e.g., screencasts and Google Community) to connect preservice teachers (PSTs) with high school writers at a geographical distance so that urban-situated PSTs could mentor rural-situated writers and vice versa. Five methods courses over two semesters served as cases, and 12 PSTs from those courses participated in focus groups. Data included audio recordings of nine focus groups and PSTs’ digital responses to student writing. Using thematic analysis, the authors explored how PSTs responded to sociopolitical perspectives in students’ writing — both engaging them and staying neutral. Although authentic opportunities for responding to student writers supported PSTs’ critical reflection on teaching writing, analysis of PSTs’ responses indicate that such authentic practice may not be sufficient for preparing PSTs to navigate sociopolitical issues and may, in fact, exacerbate PSTs’ impulse to enact educational niceness

On the Instability of Disciplinary Style: Common and Conflicting Metaphors and Practices in Text, Talk, and Gesture

This article explores how three writers in ecology understand and enact a disciplinary writing style. To accomplish this, it draws on theoretical approaches to style from sociolinguistics and linguistic anthropology, as well as analyses of drafts of coauthored texts and video-recorded literacy history and discourse-based interviews. This study finds that metaphor and embodied actions such as gestures are valuable sites for comparing writers’ stylistic understandings and practices. The three writers expressed broad agreement when describing the qualities of good scientific writing, using similar verbal and gestural metaphors, such as Communication as Journey and entailments of the Conduit Metaphor. Yet in discourse-based interviews, specific stylistic choices provoked conflicting preferences not only between writers but even within them over time, as they sometimes changed their minds about what they had preferred over a year earlier. These conflicting and changing views, and the writers’ arguments for them, complicate popular notions of writing style: that a particular discipline has a style uniformly shared among experts and that experts’ mastery of their own style is stable and absolute. The finding that stylistic disagreements are undergirded by similar metaphors in language and gesture highlights the ways our stylistic understandings are tied to life histories and are also deeply embodied. Working from a sociocultural perspective, I provide a richer, more complex empirical and theoretical understanding of what it means to command a particular disciplinary style

“I Didn’t Want to Make Them Feel Wrong in Any Way”: Preservice Teachers Craft Digital Feedback on Sociopolitical Perspectives in Student Texts

This qualitative multicase analysis investigated the role of “educational niceness” and “neutrality” (e.g., Baptiste, 2008; Bissonnette, 2016) in preservice English teacher feedback on sociopolitical issues in student writing. As part of the field experiences for several ELA methods courses at two universities, one urban and one rural, the teacher-researchers used Google Docs and other technologies (e.g., screencasts and Google Community) to connect preservice teachers (PSTs) with high school writers at a geographical distance so that urban-situated PSTs could mentor rural-situated writers and vice versa. Five methods courses over two semesters served as cases, and 12 PSTs from those courses participated in focus groups. Data included audio recordings of nine focus groups and PSTs’ digital responses to student writing. Using thematic analysis, the authors explored how PSTs responded to sociopolitical perspectives in students’ writing — both engaging them and staying neutral. Although authentic opportunities for responding to student writers supported PSTs’ critical reflection on teaching writing, analysis of PSTs’ responses indicate that such authentic practice may not be sufficient for preparing PSTs to navigate sociopolitical issues and may, in fact, exacerbate PSTs’ impulse to enact educational niceness