Creativity and commerce: Michael Klinger and new film history

The crisis in film studies and history concerning their legitimacy and objectives has provoked a reinvigoration of scholarly energy in historical enquiry. 'New film history' attempts to address the concerns of historians and film scholars by working self-reflexively with an expanded range of sources and a wider conception of 'film' as a dynamic set of processes rather than a series of texts. The practice of new film history is here exemplified through a detailed case study of the independent British producer Michael Klinger (active 1961-87) with a specific focus on his unsuccessful attempt to produce a war film, Green Beach, based on a memoir of the Dieppe raid (August 1942). This case study demonstrates the importance of analysing the producer's role in understanding the complexities of film-making, the continual struggle to balance the competing demands of creativity and commerce. In addition, its subject matter - an undercover raid and a Jewish hero - disturbed the dominant myths concerning the Second World War, creating what turned out to be intractable ideological as well as financial problems. The paper concludes that the concerns of film historians need to engage with broader cultural and social histories. © 2010 Taylor & Francis

Eighth army : from the western desert to the alps 1939-1945

This book is about the journey eighth armyxxviii, 451 hlm.: ilus.; 20 c

Analysing coalition warfare from the intra-alliance politics perspective : the Normandy campaign 1944

This article sets forth a framework for analysis designed to enhance our understanding of the political management of coalition warfare. The framework, based upon literature appertaining to 'intra-alliance politics' and International Relations (IR) theories, is applied to the case study of the Normandy Campaign of 1944. Utilising this framework we are able to consider many of the thorny issues of coalition politics and determine how these can be managed successfully to maintain Allied cohesion. Throughout the analysis the merits of the 'realist' and 'pluralist' views on maintaining Allied cohesion are appraised. The article concludes that, while both afford convincing explanations for overcoming tensions within the coalition, the pluralist approach proves superior in accounting for Allied unity. Overall, the article demonstrates that the intra-alliance politics framework is a useful device for understanding the political dynamics of the Normandy Campaign in 1944 and that it is also potentially applicable to other instances of coalition warfare; past, present, and future