Revista do Museu Paulista e(m) capas: identidade e representação institucional em texto e imagem

Este artigo propõe reflexão sobre a escrita da história, a partir de estudo das capas da Revista do Museu Paulista, especialmente durante as gestões dos dois primeiros diretores da instituição, quando certa continuidade editorial foi preservada. Tomadas como "fontes", ou seja, objeto de trabalho do historiador, as capas revelam vestígios de processos que permitem reconstruir, em suas dimensões históricas, as complexas imbricações entre a produção da Revista, sua materialidade, e os atos de leitura e interpretação que condicionam e refletem relações entre produtores de textos e seus leitores nas primeiras décadas do século XX, a partir de São Paulo, onde era editada.This paper offers a reflection about the writing of History, based on the study of Revista do Museu Paulista's covers, noticeably during the term of its two first directors, when a certain editorial continuity was preserved. Taken as "sources", namely as historian subjects, those covers reveal evidences of practices that allow one to reconstitute, in its historic dimensions, the complex connection between the creation of the Revista, its materiality, and the reading and interpretation efforts that condition and reflect liaisons with writers and readers during the first decades of the XXth Century, from São Paulo, where it was published.

Supporting Wider Baseline Light Fields in JPEG Pleno With a Novel Slanted 4D-DCT Coding Mode

Light fields are one of the emerging 3D representation formats with an effective potential to offer very realistic and immersive visual experiences. This capability comes at the cost of a very large amount of acquired data which practical use requires efficient coding solutions. This need was already addressed by the JPEG Pleno Light Field Coding standard for static light fields, which has specified two coding modes, named 4D-Transform and 4D-Prediction. While the first offers better compression performance for smaller baseline light fields, the second excels for larger baseline light fields. This paper intends to propose a novel light field coding mode, the Slanted 4D-Transform coding mode, which extends the 4D-Transform coding mode based on the conventional 4D-DCT, to offer better compression performance than both the available JPEG Pleno coding modes, independently of the baseline. The key idea is to apply first to each 4D block in the light field an adaptive, hierarchical geometric transformation, which makes the data in the block more energy-compaction friendly for the following 4D-DCT. The rate-distortion performance results show that the proposed Slanted 4D-Transform codec is able to outperform both the already standardized JPEG Pleno coding modes, showing BD-Rates gains of 31.03% and 28.30% for the 4D-Transform and 4D-Prediction modes, respectively, thus implying that a single coding mode can efficiently code all types of light fields