178 research outputs found

    Alien Registration- Morin, Alice (Lewiston, Androscoggin County)

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    https://digitalmaine.com/alien_docs/29047/thumbnail.jp

    One-day symposium “Material Culture and the Writing of History: the Case of African Americans”

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    This one-day symposium was organized as part of a larger, on-going three-year project entitled “Writing History from the Margins: the Case of African Americans,” funded by Sorbonne Paris CitĂ©, with support from the Center for Research on the English Speaking World (CREW, EA 4399) and the Center for Research on North America (CRAN), and undertaken by Claire Bourhis-Mariotti (UniversitĂ© Paris 8), HĂ©lĂšne Le Dantec-Lowry (UniversitĂ© Sorbonne Nouvelle), Claire Parfait (UniversitĂ© Paris 13), and Ma..

    One-day symposium “Material Culture and the Writing of History: the Case of African Americans”

    Get PDF
    This one-day symposium was organized as part of a larger, on-going three-year project entitled “Writing History from the Margins: the Case of African Americans,” funded by Sorbonne Paris CitĂ©, with support from the Center for Research on the English Speaking World (CREW, EA 4399) and the Center for Research on North America (CRAN), and undertaken by Claire Bourhis-Mariotti (UniversitĂ© Paris 8), HĂ©lĂšne Le Dantec-Lowry (UniversitĂ© Sorbonne Nouvelle), Claire Parfait (UniversitĂ© Paris 13), and Ma..

    SENTIDO DO TRABALHO E ORIENTAÇÃO PARA O TRABALHO: UM ESTUDO EM UNIVERSIDADES PÚBLICAS DE MINAS GERAIS E DO QUEBEC

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    Este estudo avalia a relação entre sentido do trabalho e a orientação para o trabalho de professores universitĂĄrios de Minas Gerais e do Quebec e correlaciona estes resultados com questĂ”es de Qualidade de Vida no Trabalho. A amostra foi constituĂ­da por 274 professores de Minas Gerais e 252 professores do Quebec. Os dados foram coletados atravĂ©s de um questionĂĄrio online enviado, para 3 universidades pĂșblicas de Minas Gerais e 3 universidades do Quebec, no primeiro semestre de 2013. Foram encontradas diferenças significativas entre as mĂ©dias de percepção dos dois grupos de professores para meu trabalho Ă© um emprego e meu trabalho Ă© um carreira. Com relação ao sentido do trabalho e sentido no trabalho observou-se que estes dois indicadores de qualidade de vida no trabalho estĂŁo diretamente relacionados com a orientação para a vocação profissional dos professores que participaram da pesquisa. Estes resultados podem orientar os gestores universitĂĄrios a conduzirem açÔes que melhorem as condiçÔes do ambiente fĂ­sico de trabalho e as relaçÔes de trabalho, pois sĂŁo estes aspectos que ajudam a melhorar a qualidade de vida no trabalho e a dar mais sentido ao trabalho como um todo

    ConfĂ©rence d’Emory Douglas, ancien ministre de la Culture des Black Panthers, peintre et illustrateur

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    Le 16 octobre 2015, le Centre de recherche sur l’AmĂ©rique du Nord (CRAN) (Ă©quipe CREW, EA 4399) de l’universitĂ© de la Sorbonne Nouvelle a reçu Emory Douglas, ancien ministre de la Culture des Black Panthers, peintre et illustrateur, pour une confĂ©rence spĂ©ciale sur son travail et ses activitĂ©s de militant. Cette intervention, organisĂ©e par Pierre Cras, doctorant du CREW, a portĂ© Ă  la fois sur les productions artistiques d’E. Douglas et sur ses activitĂ©s militantes – approche profondĂ©ment tran..

    Quicksilver Brilliance: Adolf de Meyer Photographs, Metropolitan Museum of Art, The Howard Gilman Gallery, 4 décembre 2017-18 mars 2018

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    Loin des grandes expositions rĂ©trospectives pour lesquelles le Met est connu, les deux salles de Quicksilver Brilliance: Adolf de Meyer Photographs offrent au visiteur une sĂ©lection de moments choisis de l’Ɠuvre du photographe. OrganisĂ©e par le dĂ©partement de photographie du Met, cette exposition prend d’emblĂ©e le parti d’un propos sĂ©lectif, en prĂ©sentant quelques quarante travaux dans une musĂ©ographie sobre et classique. Le texte introductif rappelle que le baron Adolf de Meyer (1868-1946) e..

    The Fashion of the 1960s. A New Power Shaping the American Image

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    After WWII, the US emerged as a major world-economic and cultural power. At the same time, it was producing a specifically American fashion, reinventing itself and its image, and channeling the critics. With new styles and new economic forms emerging in the 1960s—as the US, eager to expand its mass consumerist model, pushed ready-to-wear, replacing European couture—American fashion became as a new power, intertwining economic and political, social, and cultural stakes. Thus, fashion helped design a dominant model of a wealthy, free, and seductive country, able to better itself, even though reality was still far from this idealized image

    Commodities, the Visual and the Senses: Perfume Editorials in High-End Fashion Publications in the 1970s

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    From the early 1970s until well into the 1980s, there was a dramatic increase in the attention granted to images of perfume in the editorial photographic production of two famous U.S. fashion magazines, Vogue and Harper's Bazaar—both mainstream, well-structured publications, having established leadership in their field. The momentum of these images—staging olfactory products and visually evoking the feelings, sensations, and memories conjured up by their smell—results from new formal photographic research led, in part, to negotiate socio-cultural flux deeply destabilizing society at large and these high-end magazines in particular. The outcome is a distinguishable aesthetic. Now considered representative of the period, it ultimately proved efficient in helping to ease changes into fashion magazines, and in feeding their powerful, long-standing system of references all the while announcing the turn to an ever-expanding consumerism blooming in the 1980s. In this process, the undeniable power of attraction, and seduction of images and smell, was once more commodified, making it emblematic of an editorial visual system that is still topical today

    Ritchie, Rachel, Sue Hawkins, Nicola Phillips and S. Jay Kleinberg eds, Women in Magazines: Research, Representation, Production and Consumption

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    Women in Magazines: Research, Representation, Production and Consumption, edited by social and women’s historians Rachel Ritchie, Sue Hawkins, Nicola Phillips & S. Jay Kleinberg, is somewhat of a “reader” on the program its title foreshadows, which is to study women in magazines, from various angles, during various periods of the 19th and 20th centuries and in various countries of the Western world. Because it offers several varied case studies enlightening how to use the press as a source in..

    JournĂ©e d’Études « Des sources marginales pour une histoire des marges : la transgression des normes. Race, classe et genre aux USA, de l’aprĂšs-guerre aux annĂ©es 1970 »

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    La journĂ©e d’études « Des sources marginales pour une histoire des marges : la transgression des normes. Race, classe et genre aux USA, de l’aprĂšs-guerre aux annĂ©es 1970 », s’est tenue le 10 octobre 2014 Ă  l’Institut du Monde Anglophone de la Sorbonne Nouvelle. Elle Ă©tait organisĂ©e par Christen Bryson, Pierre Cras, Anne LĂ©gier, Olivier MahĂ©o (Sorbonne Nouvelle), et Jean-Paul Lallemand-Stempack (EHESS). Outre huit doctorants, elle a aussi rassemblĂ© des enseignants-chercheurs de l’UPEC (Guillau..
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