806 research outputs found

    Collecting Oral Histories for Entrepreneurship Research

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    Oral history collections can offer a wealth of detailed information for entrepreneurship researchers. The stories that entrepreneurs tell provide researchers with insight into both perspective and into substantive issues of entrepreneurial behavior. The life stories of entrepreneurs offer students of entrepreneurship insight into both the explicit and the tacit knowledge of working entrepreneurs

    Principal and syntactic congruences in congruence-distributive and congruence-permutable varieties

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    We give a new proof that a finitely generated congruence-distributive variety has finitely determined syntactic congruences (or, equivalently, term finite principal congruences), and show that the same does not hold for finitely generated congruence-permutable varieties, even under the additional assumption that the variety is residually very finite

    Annotated bibliography and comments on the estimation of flood peaks from small watersheds

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    CER60BMR52.Includes bibliographical references

    Design hydrographs for very small watersheds from rainfall

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    CER62BMR41.Includes bibliographical references (pages 49-50).Report on work conducted under Cooperative Agreement No. 12-14-100; 2448(41).Originally presented as the author's thesis, Colorado State University, 1962.July 1962.Sponsored by the United States Hydrograph Laboratory, Soil and Water Conservation Research Division, Agricultural Research Service, U.S. Department of Agriculture, in cooperation with the Colorado Agricultural Experiment Station

    Teaching Twitter: Re-enacting the Paris Commune and the Battle of Stalingrad

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    Abstract included in text

    A Hermeneutical Approach to Understanding Entrepreneurial Failure

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    This paper reports an investigation of entrepreneurial failure using hermeneutic analysis of five entrepreneurship narratives. The data used in this study was collected between 2002 and 2005. The research focuses on entrepreneurial orientation and defines entrepreneurs as individuals who can see what is not there. The researchers adopted a deviation from the entrepreneurs\u27 desired expectations as their working definition of entrepreneurial failure. The paper progresses through four levels of interpretation in the development of theoretical understanding of personal and organizational learning from failure. The researchers found that individuals and organizations can learn from failure and thus improve chances of ultimate success. However, sometimes individuals and organizations do not learn from entrepreneurial failure and other times there are no lessons to be learned from entrepreneurial failure. The authors created a model of entrepreneurial failure based on an ecological perspective. he study adds to the growing body of research into entrepreneurial failure. It introduces researchers to the importance of seeing entrepreneurial failure within the context of endogenous and exogenous forces. The study provides a mechanism for practitioners to determine whether or not there is learning available from particular instances of entrepreneurial failure

    Prolegomena to a New Ecological Perspective in Entrepreneurship

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    This paper offers preliminary discussion of a new ecological perspective in entrepreneurship research. Six principles of this perspective are developed. These principles are: (1) The new ecological perspective embraces two ontological platforms: ecosystems and ecological succession, (2) The new ecological perspective operates at multiple levels of analysis, (3) Ecological problems are complex and often non-reducible, (4) The new ecological perspective requires a holistic approach to understanding, (5) The new ecological perspective embraces theory and political reality, and (6) Ecosystems have their own rationality. Implications for researchers and practitioners of entrepreneurship are discussed

    Public intellectuals as policy makers: the democratization of culture and Sean O’Faoláin’s Arts Council, 1956–1959

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    This article examines the brief tenure of the writer Sean O’Faoláin as Director of the Arts Council of Ireland. The article notes the generational similarities and shared outlook between O’Faoláin and André Malraux, the Minister of Culture for France from 1959 to 1969. However, O’Faoláin’s tenure in office was shorter, less successful, and marked by a bitter dispute with the administration and artists of the Royal Hibernian Academy. This dispute serves as a useful case study for examining competing conceptions of national culture, the purpose of cultural policy, and the role of the cultural elite as arbiters of taste
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