726 research outputs found

    “If the people vote for square circles, it’s gonna be a problem for the politicians to deliver it”: A longitudinal discursive analysis of broadcast political discourse as the UK left the European Union

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    In recent years, the field of Longitudinal Qualitative Research (LQR) has become of increasing interest to social scientists. The development of this field has been pivotal in demonstrating that issues of change through time need not only to be a quantitative concern. Instead, LQR highlights that change and stability is a key component of talk and should therefore be of interest to qualitative researchers. Despite growing engagement with this field from other qualitative methods, Discursive Psychology (DP) has largely failed to systematically address the issue of change and stability within discourse. This is surprising, and somewhat disappointing, as the practice of DP has the tools to make a meaningful contribution to the development of this methodology. The aim of this thesis is therefore to make the case for a longitudinal discursive approach towards data analysis by building upon the methodological tools and social constructionist principles that DP has at its disposal. This is accomplished through the longitudinal discursive analysis of broadcast political debate as the UK left the European Union. In this analysis, I examine how key issues relating to Brexit were constructed and challenged by speakers. Issues selected for analysis include leadership, advocacy for a second referendum, and Labour’s Brexit policy. The key finding of this analysis is that the strategies speakers used when constructing these issues were situated within a temporal context. This means that the strategies speakers employed changed (or remained stable) through time to respond to developing contextual and rhetorical factors. These findings illustrate that the presence of change, stability, and temporality within talk are central to our understanding of political phenomena. This has wide- reaching implications for the ‘traditional’ practice of DP. From this, I provide a conceptual and methodological framework for the practice of longitudinal discursive research

    Embodying Citizenship in Brazilian Women's Film, Video, and Literature, 1971 to 1988.

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    This project considers the ways in which various women artists sought to transform society and politics in Brazil during the military regime and during the period of redemocratization, from 1971 to 1988. Through close textual analyses and a review of historical contexts, I discuss the ways in which Brazilian women’s cultural works functioned as modes of political participation to rethink and redefine citizenship during and after the military dictatorship in Brazil. It proceeds by considering the representation of the body in three different arenas of cultural expression – literature, film, and video – as each mode became a viable outlet for women’s voices. I discuss the collection of short stories A Via Crucis do Corpo (1974) by Clarice Lispector, the collection of short stories Nascimento de uma Mulher (1971) by Sonia Coutinho, the early feature-length fiction films by Ana Carolina Teixeira Soares (Mar de Rosas, 1977; Das Tripas Coração, 1982; Sonho de Valsa, 1986) and Tizuka Yamasaki (Gaijin: Os Caminhos da Liberdade, 1980; Parahyba, Mulher Macho, 1983; Patriamada, 1984), and films and videos by the independent film and videomaker Eunice Gutman, and videos by The Lilith Video Collective and the non-profit women’s organization SOS-Corpo. The women’s works I have selected reference different modalities of cultural production as well as come from different economic and regional backgrounds. Lastly, this project addresses issues of women’s sexuality and identity, both central to the discussion of citizenship in these women’s works. As it considers the transition process(es) taking place in Brazil from the 1970s and 1980s, this project addresses the ways in which women cultural producers challenged cultural beliefs and political practices. My key questions are: In what ways did these women artists make the body a site of political struggle? In what ways does the representation of the body change over time? How do these works of women’s literature, film, and video contribute to reinventing citizenship in Brazil?Ph.D.Romance Languages & Literatures: SpanishUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttp://deepblue.lib.umich.edu/bitstream/2027.42/61637/1/llmarsh_1.pd

    A case series of premenstrual disorders presenting to the UK's National Female Hormone Clinic

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    Aims and method We aimed to describe the clinical characteristics of female patients presenting with premenstrual disorders to a tertiary service in the UK. We conducted a retrospective case-note review of referrals to the National Female Hormone Clinic from April 2014 to August 2020. Based on clinical assessment, we determined whether the patient met criteria for premenstrual dysphoric disorder or premenstrual exacerbation of an underlying psychiatric disorder. Results Of 146 patients seen in clinic for premenstrual disorders, an ICD-10 psychiatric diagnosis was made in 130 (89.0%); a minority 16 (11.0%) did not have a psychiatric diagnosis. Following assessment, 94 patients (64.4%) met criteria for premenstrual dysphoric disorder and 67 (45.6%) had exacerbation of a psychiatric disorder. Clinical implications Patients presenting to this specialist service had complex psychiatric comorbidity; almost half presented with exacerbation of a psychiatric disorder

    A Darker Side of Creative Entrepreneurship

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    This article aims to contrast positive interpretations of enterprise in creative work, which are characterised by freedom, autonomy and choice with less optimistic accounts of the nature of enterprise in the creative industries. By examining extant literature, it illustrates the entrepreneurial responses of designers to instable and dynamic market conditions. It charts how designers adapt to market forces by reconciling creative and commercial pressures, enhancing their labour mobility and commercialising their own labour potential. This article argues that designer’s normative feelings about their work enable them to reconcile the challenging aspects of their work

    Screen Time Weight-loss Intervention Targeting Children at Home (SWITCH): process evaluation of a randomised controlled trial intervention

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    Abstract Background The Screen Time Weight-loss Intervention Targeting Children at Home (SWITCH) trial tested a family intervention to reduce screen-based sedentary behaviour in overweight children. The trial found no significant effect of the intervention on children’s screen-based sedentary behaviour. To explore these null findings, we conducted a pre-planned process evaluation, focussing on intervention delivery and uptake. Methods SWITCH was a randomised controlled trial of a 6-month family intervention to reduce screen time in overweight children aged 9–12 years (n = 251). Community workers met with each child’s primary caregiver to deliver the intervention content. Community workers underwent standard training and were monitored once by a member of the research team to assess intervention delivery. The primary caregiver implemented the intervention with their child, and self-reported intervention use at 3 and 6 months. An exploratory analysis determined whether child outcomes at 6 months varied by primary caregiver use of the intervention. Results Monitoring indicated that community workers delivered all core intervention components to primary caregivers. However, two thirds of primary caregivers reported using any intervention component “sometimes” or less frequently at both time points, suggesting that intervention uptake was poor. Additionally, analyses indicated no effect of primary caregiver intervention use on child outcomes at 6 months, suggesting the intervention itself lacked efficacy. Conclusions Poor uptake, and the efficacy of the intervention itself, may have played a role in the null findings of the SWITCH trial on health behaviour and body composition. Trial registration The trial was registered in the Australian and New Zealand Clinical Trials Registry (no. ACTRN12611000164998 ); registration date: 10/02/2011
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