22 research outputs found

    ANALYSIS OF BUSINESS STRATEGY DECISION MAKING IN INCREASING SALES OF WAROENG STEAK AND SHAKE BANDAR LAMPUNG

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    The high competition in the steak restaurant business in the city of Bandar Lampung has an impact on the management of Waroeng Steak and Shake so that the income received fluctuates every month, this makes researchers aim to find out what alternative strategies are appropriate for Waroeng Steak and Shake and which strategies are become a priority for Waroeng Steak and Shake, Gatot Subroto Bandar Lampung Branch. This researcher uses descriptive analysis method and uses the Soft System Methodology (SSM) method and the Annalitical hierarchy Process (AHP) method. The results of this study indicate that there are five sub-criteria internal factors and external factors there are three sub-criteria. The results of the decision making model using AHP show that Goal in Waroeng Steak and Shake increases sales with the first priority strategy by creating more modern service changes in, developing new types of food, promoting via billboards and promoting word of mouth.modern in, developing types of food new, promotions via billboards and word of mouth promotions. Keywords: Business Strategy, Analytical Hierarchy Process (AHP), Decision Makin

    Copy rights: The politics of copying and creativity

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    This article analyses the politics of copyright and copying. Copyright is an increasingly important driver of the modern economy, but this does not exhaust its significance. It matters, we argue, not just for the distribution of rewards and resources in the creative industries, but as a site within which established political concerns – collective and individual interests and identities - are articulated and negotiated, and within which notions of ‘originality’, ‘creativity’ and ‘copying’ are politically constituted. Set against the background of the increasing economic value attributed to the creative industries, the impact of digitalization on them, and the European Union’s Digital Single Market strategy, the article reveals how copyright policy, and the underlying assumptions about ‘copying’ and ‘creativity’, express (often unexamined) political values and ideologies. Drawing on a close reading of policy statements, official reports, court cases, and interviews with stakeholders, we explore the multiple political aspects of copyright, showing how copyright policy operates to privilege particular interests and practices, and to acknowledge only specific forms of creative endeavour

    7 AGRICULTURAL CHEMICALS

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    Chemical Biology of Signal Transduction

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    Assemblages of creativity: Material practices in the creative economy

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    This article questions the anthropocentrism of existing treatments of creative work, creative industries and creative identities, and then considers various strategies for overcoming this bias in novel empirical analyses of creativity. Our aim is to begin to account for the nonhuman, ‘more-than-human’, bodies, actors and forces that participate in creative work. In pursuing this aim, we do not intend to eliminate the human subject from analysis of creative practice; rather we will provide a more ‘symmetrical’ account of creativity, alert to both the human and nonhuman constituents of creative practice. We draw from Deleuze and Guattari’s discussion of the assemblage to develop this account. Based on this discussion, we will define the creative assemblage as a more or less temporary mixture of heterogeneous material, affective and semiotic forces, within which particular capacities for creativity emerge, alongside the creative practices these capacities express. Within this assemblage, creativity and creative practice are less the innate attributes of individual bodies, and more a function of particular encounters and alliances between human and nonhuman bodies. We ground this discussion in qualitative research conducted in Melbourne, Australia, among creative professionals working in diverse fields. Based on this research, we propose a ‘diagram’ of one local assemblage of creativity and the human and nonhuman alliances it relies on. We close by briefly reflecting on the implications of our analysis for debates regarding the diversity of creative work and the character of creative labour
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