1,608 research outputs found

    Reversible and irreversible evolution of a condensed bosonic gas

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    We have formulated a kinetic theory for a condensed atomic gas in a trap, i.e., a generalized Gross-Pitaevskii equation, as well as a quantum-Boltzmann equation for the normal and anomalous fluctuations [R. Walser et al., Phys. Rev. A, 59, 3878 (1999)]. In this article, the theory is applied to the case of an isotropic configuration and we present numerical and analytical results for the reversible real-time propagation, as well as irreversible evolution towards equilibrium.Comment: 15 pages RevTeX, 8 figures, reviewed PRA resubmissio

    Quantum Kinetic Theory for a Condensed Bosonic Gas

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    We present a kinetic theory for Bose-Einstein condensation of a weakly interacting atomic gas in a trap. Starting from first principles, we establish a Markovian kinetic description for the evolution towards equilibrium. In particular, we obtain a set of self-consistent master equations for mean fields, normal densities, and anomalous fluctuations. These kinetic equations generalize the Gross-Pitaevskii mean-field equations, and merge them consistently with a quantum-Boltzmann equation approach.Comment: 15 pages, no figures; reviewed version; to be published in PR

    The Color of Postfeminism: Representations of Black and White Women in Popular Music Videos

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    The sexualization and objectification of women in popular music videos has acted as a consistent obstacle for the feminist movement. Within a postfeminist framework -- postfeminism being a rejection of feminist ideas and a belief that the activist feminism of years past no longer serves a purpose -- music video viewers are able to see both positive advances and negative reversals. One problem often associated with the postfeminist movement is the lack of acknowledgment of race, as has historically been the case for the feminist movement, white, middle-class women are almost always the largest representation, with non-white women more often than not forgotten. The world of the popular music video is certainly no exception to this rule. Although postfeminism boasts many advances for women -- an increase in choice, a strong sense of independence and freedom, along with sexual liberties -- most of these advances are limited to white women. Despite these advances, postfeminist ideas are further limited by capitalism, consumerism, and white patriarchy, calling into question the legitimacy and efficacy of postfeminism
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