32 research outputs found

    Study of a passive damper for atmospheric entry bodies Final report

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    Design and operation of damper for spinning or nonspinning, slender or blunt atmospheric entry bodie

    37th International Symposium on Intensive Care and Emergency Medicine (part 3 of 3)

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    Pars posterior Platonicæ et Aristotelicæ comparationis in vniuersa Philosophia, ... / authore Iac. Carpentario, ... ; adiecta est eiusdem Carpentarij defensio contra quendam Logodædalum, prioris interpretationis Alcinoi calumniatorem.

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    Marca tip. en port. (Renouard, 277 y Silvestre. Marques, 1169)Sign.: 2*4, a-y4, 2a-2v4.Errores de pag., repite las p. 5-8, pasa de p. 155 a 158, p. 331 numerada como 328.Apostillas marginales.Il. xil.Capitulares grab. xil

    Platonis cum Aristotele in vniuersa philosophia, comparatio : quæ hoc commentario, in Alcinoi institutionem ad eiusdem Platonis doctrinam, explicatur / authore Iac. Carpentario, ...

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    Marca tip. en port. (Renouard, 277 y Silvestre. Marques, 1169)Sign.: *4, A-F4, A-Z4, 2A-2Z4, 3A-3T4, 3V2.Numerosos errores de pag.Apostillas marginales.Índice a dos col.Il. xil.Capitulares grab. xil

    La grande conference des ordonnances, et edits royaux : distribvee en XII. livres, a l\u27imitation & selon l\u27ordre & distribution du code de l\u27Empereur Justinien

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    A Paris : Chez Antoine Dezallier , 1679[14], 180, 769, [1] p. ; 38 cm. (fol.)Signatures: [*][4] (-*3) 2*[4] a-p[6] A-3S[6] (k3, 2S2, 2S6 misprinted k2, 2R2, 2S4)Errors in paging: p. 29-30 of [3rd pt.], 409-410 omitted, p. 33-34 of [3rd pt.], repeated, p. 52 of [3rd pt.], 212, 413-414, 419-420, 484, 539, 595, 610, 765 numbered 51, 112, 411-412, 417-418, 480, 536, 695, 601, 763Imperfect: p. [5]-[6] wanting"Purgee de grande quantité de fautes, qui s\u27estoient glissées aux precedentes impressions, avec la chronologie, et les indices tres-exacts"T.p. in red and blackhttps://www.tulips.tsukuba.ac.jp/lib/ja/collection/bunko-collection#23

    Fashion Exhibitions as Scholarship: Evaluation Criteria for Peer Review

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    Curated exhibitions are places where research practice, creative design, storytelling, and aesthetics converge. In this article, we use the term “fashion exhibition” to refer to the organized display of extant dress-related items within museums or other public spaces. Curation, as a form of creative design research, produces numerous outcomes including museum exhibitions, digital archives, and associated publications; however, our field has not yet established a method to peer review fashion exhibitions. In this article, we build upon the work of previous scholars to propose criteria for evaluating fashion exhibitions. In doing so, we aim to elevate the scholarly status of fashion exhibitions, particularly those mounted by modestly funded institutions, and use the recent fashion exhibition, “Women Empowered: Fashions from the Frontline,” as an example to illustrate our argument
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