Emotion lateralization in a graduated emotional chimeric face task: An online study

Objective: To resolve inconsistencies in the literature regarding the dominance of the right cerebral hemisphere (RH) in emotional face perception, specifically investigating the role of the intensity of emotional expressions, different emotions, and conscious perception. Method: The study used an online version of the well-established emotional chimeric face task (ECFT) in which participants judged which side of a chimeric face stimulus was more emotional. We tested the laterality bias in the ECFT across six basic emotions and experimentally modified the intensity of the emotional facial expression from neutral to fully emotional expressions, in incremental steps of 20%. Results: The results showed an overall left hemiface bias across all emotions, supporting the RH hypothesis of emotional lateralization. However, the left hemiface bias decreased with decreasing intensity of the emotional facial expression. Conclusions: The results provide further support for the RH hypothesis and suggest that the RH dominance in emotional face perception may be affected by task difficulty and visual perception strategy

The Flexible Nature of Unconscious Cognition

The cognitive signature of unconscious processes is hotly debated recently. Generally, consciousness is thought to mediate flexible, adaptive and goal-directed behavior, but in the last decade unconscious processing has rapidly gained ground on traditional conscious territory. In this study we demonstrate that the scope and impact of unconscious information on behavior and brain activity can be modulated dynamically on a trial-by-trial basis. Participants performed a Go/No-Go experiment in which an unconscious (masked) stimulus preceding a conscious target could be associated with either a Go or No-Go response. Importantly, the mapping of stimuli onto these actions varied on a trial-by-trial basis, preventing the formation of stable associations and hence the possibility that unconscious stimuli automatically activate these control actions. By eliminating stimulus-response associations established through practice we demonstrate that unconscious information can be processed in a flexible and adaptive manner. In this experiment we show that the same unconscious stimulus can have a substantially different effect on behavior and (prefrontal) brain activity depending on the rapidly changing task context in which it is presented. This work suggests that unconscious information processing shares many sophisticated characteristics (including flexibility and context-specificity) with its conscious counterpart

Preservation of Auditory P300-Like Potentials in Cortical Deafness

The phenomenon of blindsight has been largely studied and refers to residual abilities of blind patients without an acknowledged visual awareness. Similarly, “deaf hearing” might represent a further example of dissociation between detection and perception of sounds

Gender-related differences in physiologic color space: a functional transcranial Doppler (fTCD) study

Simultaneous color contrast and color constancy are memory processes associated with color vision, however, the gender-related differences of 'physiologic color space' remains unknown. Color processing was studied in 16 (8 men and 8 women) right-handed healthy subjects using functional transcranial Doppler (fTCD) technique. Mean flow velocity (MFV) was recorded in both right (RMCA) and left (LMCA) middle cerebral arteries in dark and white light conditions, and during color (blue and yellow) stimulations. The data was plotted in a 3D quadratic curve fit to derive a 'physiologic color space' showing the effects of luminance and chromatic contrasts. In men, wavelength-differencing of opponent pairs (yellow-blue) was adjudged by changes in the RMCA MFV for Yellow plotted on the Y-axis, and the RMCA MFV for Blue plotted on the X-axis. In women, frequency-differencing for opponent pairs (blue-yellow) was adjudged by changes in the LMCA MFV for Yellow plotted on the Y-axis, and the LMCA MFV for Blue plotted on the X-axis. The luminance effect on the LMCA MFV in response to white light with the highest luminous flux, was plotted on the (Z - axis), in both men and women. The 3D-color space for women was a mirror-image of that for men, and showed enhanced color constancy. The exponential function model was applied to the data in men, while the logarithmic function model was applied to the data in women. Color space determination may be useful in the study of color memory, adaptive neuroplasticity, cognitive impairment in stroke and neurodegenerative diseases

Roles of contour and surface processing in microgenesis of object perception and visual consciousness

Developments in visual neuroscience and neural-network modeling indicate the existence of separate pathways for the processing of form and surface attributes of a visual object. In line with prior theoretical proposals, it is assumed that the processing of form can be explicit or conscious only as or after the surface property such as color is filled in. In conjunction with extant psychophysical findings, these developments point to interesting distinctions between nonconscious and conscious processing of these attributes, specifically in relation to distinguishable temporal dynamics. At nonconscious levels form processing proceeds faster than surface processing, whereas in contrast, at conscious levels form processing proceeds slower than surface processing. I mplications of separate form and surface processing for current and future psychophysical and neuroscientific research, particularly that relating cortical oscillations to conjunctions of surface and form features, and for cognitive science and philosophy of mind and consciousness are discussed

Housing in South Africa: From political privilege to basic right

Housin

Space, Body and Montage in the Hybrid Installation Work of William Kentridge

This article explores the recent animated film installations and operatic stage direction of William Kentridge to conceptualise emerging trends in installation work, artists’ cinema and hybrid forms of the moving image. Kentridge opens new horizons for the articulation of the moving image with architectural space, reimagining the nature of film. Through a study of Kentridge’s installation, I Am Not Me, The Horse Is Not Mine’, his staging of the Shostakovich opera, The Nose, and his installation work at documenta 13, the article explores how Kentridge mobilises the full potential of the material encounter with the filmic image in new forms of dynamic montage. Drawing on understandings of the tactile, sensory, kinaesthetic engagement with the image, the article examines how Kentridge incorporates the three-dimensional spatiality and materiality of an exhibition/architectural space into the filmic. Through this enquiry, the article considers the broader significance of Kentridge’s work for reconceptualising cinematic experience