91 research outputs found

    Multisensorial dynamics : encountering and capturing the intangible heritage of the Art School in Britain

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    Art Schools are key sites for the formation of material culture, yet have resisted narrativisation of their own materiality. This article examines the heritage of art schools and suggests strategies for assessing the material and immaterial practices it produces. It surveys a number of counter-hegemonic practices historically within the twentieth-century art school, before considering material encounters in the art school and the spatial-temporal qualities of the art school site. The article argues for a model of temporal uncertainty and fluidity that can be experienced as Art School Time where flexible, cross-disciplinary spaces for as yet unknown material and immaterial encounters enable students to develop new tactics to address societal challenges within the multi-layered and multisensorial spaces of the art school

    Dora Gordine and Barbara Hepworth : connections across time and space

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    The figurative bronze sculpture of Dora Gordine (1895–1991) and Barbara Hepworth’s (1903-1975) carved or cast forms are usually perceived as occupying different spaces within the rich histories of modern British sculpture. Yet, it is striking that Gordine and Hepworth were born within just eight years of each other. Their work became known at the same time in late 1920’s Britain, and they subsequently exhibited together in various pre and post-war group exhibitions. This essay critically reflects on the importance of their studio-homes to their practice, on the moments where their trajectories as sculptors intersected, and identifies the artistic and aesthetic concerns they shared as successful women artists in the highly competitive and often polarised spaces of modern sculpture in Britain from the late 1920s to the early 1950s

    Making a new world : Karin Jonzen and the World Health Organisation in New Delhi and Geneva in the early 1960s

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    This the first art historical study to focus on Karin Jonzen (née Löwenadler, 1914-1998), the youngest sculptor to contribute to the first Battersea Park ‘Open Air Sculpture Exhibition’ in 1948 and the ‘Festival of Britain’ in 1951. Löwenadler’s pre-war art school training was at the Slade School of Fine Art (1933-1936) and the City and Guilds Art School at Kennington (1937), before winning The British School in Rome Sculpture Scholarship in 1939, thwarted by the outbreak of war. The article focuses on two previously neglected UK commissions that Jonzen completed for the United Nation’s specialist agency, the World Health Organisation (WHO) for new headquarter buildings in New Delhi and Geneva in the early 1960s. Drawing upon previously unpublished archive material in Geneva, New Delhi, and London, the article establishes the commissions as government gifts to the WHO and analyses the works in relation to their respective buildings and the WHO’s ideals of making a new world dedicated to health as ‘a state of complete physical, mental and social well-being’. The research offers new perspectives on Jonzen’s sculptural practice and the significance of the commissions in the context of post-war British sculpture and its promotion at home and abroad

    Parents talking everyday science with young children

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    This report is the evaluation of an early years project which was developed by members of the Cass Early Childhood Studies Research Group with funding from the 2015 UEL Civic Engagement Fund. The project aimed to encourage parents‟ confidence in their own ability to support emergent scientific thinking among their young children. The project was modelled on an early years initiative undertaken a few years ago in rural Bangladesh. The original Bangladeshi project was pioneered by Dr Sue Dale Tunnicliffe, Reader in Science Education at University College London‟s Institute of Education, and chair of CASTME, the Commonwealth Association of Science, Technology and Mathematics Educator

    Children must be protected from the tobacco industry's marketing tactics.

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    BHPR research: qualitative1. Complex reasoning determines patients' perception of outcome following foot surgery in rheumatoid arhtritis

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    Background: Foot surgery is common in patients with RA but research into surgical outcomes is limited and conceptually flawed as current outcome measures lack face validity: to date no one has asked patients what is important to them. This study aimed to determine which factors are important to patients when evaluating the success of foot surgery in RA Methods: Semi structured interviews of RA patients who had undergone foot surgery were conducted and transcribed verbatim. Thematic analysis of interviews was conducted to explore issues that were important to patients. Results: 11 RA patients (9 ♂, mean age 59, dis dur = 22yrs, mean of 3 yrs post op) with mixed experiences of foot surgery were interviewed. Patients interpreted outcome in respect to a multitude of factors, frequently positive change in one aspect contrasted with negative opinions about another. Overall, four major themes emerged. Function: Functional ability & participation in valued activities were very important to patients. Walking ability was a key concern but patients interpreted levels of activity in light of other aspects of their disease, reflecting on change in functional ability more than overall level. Positive feelings of improved mobility were often moderated by negative self perception ("I mean, I still walk like a waddling duck”). Appearance: Appearance was important to almost all patients but perhaps the most complex theme of all. Physical appearance, foot shape, and footwear were closely interlinked, yet patients saw these as distinct separate concepts. Patients need to legitimize these feelings was clear and they frequently entered into a defensive repertoire ("it's not cosmetic surgery; it's something that's more important than that, you know?”). Clinician opinion: Surgeons' post operative evaluation of the procedure was very influential. The impact of this appraisal continued to affect patients' lasting impression irrespective of how the outcome compared to their initial goals ("when he'd done it ... he said that hasn't worked as good as he'd wanted to ... but the pain has gone”). Pain: Whilst pain was important to almost all patients, it appeared to be less important than the other themes. Pain was predominately raised when it influenced other themes, such as function; many still felt the need to legitimize their foot pain in order for health professionals to take it seriously ("in the end I went to my GP because it had happened a few times and I went to an orthopaedic surgeon who was quite dismissive of it, it was like what are you complaining about”). Conclusions: Patients interpret the outcome of foot surgery using a multitude of interrelated factors, particularly functional ability, appearance and surgeons' appraisal of the procedure. While pain was often noted, this appeared less important than other factors in the overall outcome of the surgery. Future research into foot surgery should incorporate the complexity of how patients determine their outcome Disclosure statement: All authors have declared no conflicts of interes

    Strategic interventions in contemporary Japanese art

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