Combating the "Sameness" in AI Art: Reflections on the Interactive AI Installation Fencing Hallucination

The article summarizes three types of "sameness" issues in Artificial Intelligence(AI) art, each occurring at different stages of development in AI image creation tools. Through the Fencing Hallucination project, the article reflects on the design of AI art production in alleviating the sense of uniformity, maintaining the uniqueness of images from an AI image synthesizer, and enhancing the connection between the artworks and the audience. This paper endeavors to stimulate the creation of distinctive AI art by recounting the efforts and insights derived from the Fencing Hallucination project, all dedicated to addressing the issue of "sameness".Comment: Paper for NeurIPS 2023 Workshop, Machine Learning for Creativity and Desig

Image, Interaction and Representation: Some Artistic Projects that Address Space

This video was recorded live at the annual Spatial Lightning Talks on February 25, 2014 at the Mosher Alumni House, UC Santa Barbara. Each speaker was allotted three minutes to present a topic related to space —geographic or otherwise

"Pocket Full of Memories" -- Artist Documentation

Conceived as an installation on the topic of the archive and memory, "Pockets full of Memories" was exhibited on the main floor of the Centre Pompidou from April 10 to September 3, 2001. During this time, 20000 visitors came to view the installation and contributed over 6000 objects in their possession, digitally scanning and describing them. This information was stored in a database and organized by an algorithm that positioned objects of similar value near each other in a two-dimensional map. The map of objects was projected in the gallery space and also accessible online at www.pocketsfullofmemories.com where individuals in the gallery and at home could review the objects and add comments and stories to any of the them

George Legrady : Floating Objects, 1976-1980

In conversation, Legrady briefly defines the relationship between history and photography. Biographical notes. 4 bibl. ref

Rockefeller New Media Foundation Proposal

"Sensing Data in Metaphorical Space" is the marriage of "Pockets Full of Memories" (PFOM) with "Sensing Speaking Space" (SeSpsp). The concept is to create an artwork that deals with archive construction and intervention through technological means of data collection followed by interaction using the motion sensing vision technologies of the (SeSpsp) project, a real-time feedback environment where visualization and sound are generated by the presence and movement of spectators within a public space. This interaction is implemented to a large number of digitized data objects as exemplified by the" (PFOM) installation where an archive of over 3300 objects had been created at the Pompidou Center during the summer of 2000. (see projects in portfolio or further information at http://www.georgelegrady.com

Projects : 1973-2003

Legrady project documentation-- 1973-200

Image, Interaction and Representation: Some Artistic Projects that Address Space

This video was recorded live at the annual Spatial Lightning Talks on February 25, 2014 at the Mosher Alumni House, UC Santa Barbara. Each speaker was allotted three minutes to present a topic related to space —geographic or otherwise

Sensing Speaking Space: Artist Documentation

"Sensing Speaklng Space" is an interactive installation that explores the interplay between states of order, noise, randomness, multiple layerings and subtle changes that build up over time and in response to the spectators' movements sensed through a custom camera tracking system