Characterization and digital restauration of XIV-XV centuries written parchments by means of non-destructive techniques. Three case studies

Parchment is the primary writing medium of the majority of documents with cultural importance. Unfortunately, this material suffers of several mechanisms of degradation that affect its chemical-physical structure and the readability of text. Due to the unique and delicate character of these objects, the use of nondestructive techniques is mandatory. In this work, three partially degraded handwritten parchments dating back to the XIV-XV centuries were analyzed by means of X-ray fluorescence spectroscopy, µ-ATR Fourier transform infrared spectroscopy, and reflectance and UV-induced fluorescence spectroscopy. 'e elemental and molecular results provided the identification of the inks, pigments, and superficial treatments. In particular, all manuscripts have been written with iron gall inks, while the capital letters have been realized with cinnabar and azurite. Furthermore, multispectral UV fluorescence imaging and multispectral VIS-NIR imaging proved to be a good approach for the digital restoration of manuscripts that suffer from the loss of inked areas or from the presence of brown spotting. Indeed, using ultraviolet radiation and collecting the images at different spectral ranges is possible to enhance the readability of the text, while by illuminating with visible light and by collecting the images at longer wavelengths, the hiding effect of brown spots can be attenuated

Characterization and digital restauration of XIV-XV centuries written parchments by means of non-destructive techniques. Three case studies

Parchment is the primary writing medium of the majority of documents with cultural importance. Unfortunately, this material suffers of several mechanisms of degradation that affect its chemical-physical structure and the readability of text. Due to the unique and delicate character of these objects, the use of nondestructive techniques is mandatory. In this work, three partially degraded handwritten parchments dating back to the XIV-XV centuries were analyzed by means of X-ray fluorescence spectroscopy, µ-ATR Fourier transform infrared spectroscopy, and reflectance and UV-induced fluorescence spectroscopy. 'e elemental and molecular results provided the identification of the inks, pigments, and superficial treatments. In particular, all manuscripts have been written with iron gall inks, while the capital letters have been realized with cinnabar and azurite. Furthermore, multispectral UV fluorescence imaging and multispectral VIS-NIR imaging proved to be a good approach for the digital restoration of manuscripts that suffer from the loss of inked areas or from the presence of brown spotting. Indeed, using ultraviolet radiation and collecting the images at different spectral ranges is possible to enhance the readability of the text, while by illuminating with visible light and by collecting the images at longer wavelengths, the hiding effect of brown spots can be attenuated

Improved photocatalytic properties of doped titanium-based nanometric oxides

Photocatalysis is considered one of the most promising technologies for applications in the environmental field especially in the abatement of water-soluble organic pollutants. In this field, titanium dioxide nanoparticles have drawn much attention recently; however, the use of this oxide presents some limitation since it allows to obtain high photoresponse and degradation efficiency only under UV light irradiation, that represents the 3 to 4% of the solar radiation, so preventing its environmental large-scale applications under diffuse daylight. In this work the photocatalytic efficiencyoftitanium-based oxides systems containing alkaline earth metals such as barium and strontium, prepared by a simple sol-gel method was investigated, evaluating the degradation of methylene blue as model compound under UV and visible light irradiation. The results were compared with those obtained with Degussa P25 titanium dioxide. The achieved degradation percentage of methylene blue are very promising showing that under visible light irradiation it is possible to obtain a maximum dye removal percentage ~ 50 % higher than that obtained with the Degussa P25

Post-processing of vis, nir, and swir multispectral images of paintings. New discovery on the the drunkenness of noah, painted by andrea sacchi, stored at palazzo chigi (ariccia, rome)

IR Reflectography applied to the identification of hidden details of paintings is extremely useful for authentication purposes and for revealing technical hidden features. Recently, multispectral imaging has replaced traditional imaging techniques thanks to the possibility to select specific spectral ranges bringing out interesting details of the paintings. VIS–NIR–SWIR images of one of the The Drunkenness of Noah versions painted by Andrea Sacchi, acquired with a modified reflex and InGaAs cameras, are presented in this research. Starting from multispectral images we performed post-processing analysis, using visible and infrared false-color images and principal component analysis (PCA) in order to highlight pentimenti and underdrawings. Radiography was performed in some areas to better investigate the inner pictorial layers. This study represents the first published scientific investigation of The Drunkenness of Noah’s artistic production, painted by Andrea Sacchi

Intrinsic limits of reflectance spectroscopy in identifying pigments in paint layers

The study of pigments is of fundamental importance for authentication and restoration purposesof painted artworks. To this aim reflectance spectroscopy has been widely studied on samples and in a number of real cases. A number of valuable efforts have been dedicated to this quest; however,the identification of a pigment on a painting surface by means of reflectance spectroscopy appears to bepossible only in very few casesalso due to the fact that artist materials are often mixed. In this paper we review a number of relevant works and present results on a new set of test samples especially produced for exploring the possibilities of reflectance spectroscopyon pigment mixtures. We also include a case study of a real painting

Pigment identification on Campana reliefs from the Palatine Hill and Colosseum Valley in Rome

This article shows the first pigment identification of the Campana reliefs, Roman architectural earthenware plaques. The Campana reliefs polychromy were investigated by applying a multidisciplinary approach involving non-invasive and micro-destructive techniques to some fragments with traces of colour found on the north-eastern slopes of the Palatine Hill in Rome. X-ray fluorescence analysis and reflectance measurements provided preliminary identification of pigments, which was subsequently confirmed by X-ray diffraction and elemental mapping by scanning electron microscopy-energy dispersive spectrometry carried out on micro-samples and cross sections, respectively. Yellow ochre, red ochre, lead white, calcium-based white pigment, Egyptian blue and minium were identified. In addition, PIL (Photo Induced Luminescence) imaging was performed, identifying the macro-distribution of Egyptian blue, even on plaques without visible traces of colour

Optimized method for mapping inorganic pigments by means of multispectral imaging combined with hyperspectral spectroscopy for the study of vincenzo pasqualoni’s wall painting at the basilica of S. Nicola in carcere in Rome

Multispectral imaging is a preliminary screening technique for the study of paintings. Although it permits the identification of several mineral pigments by their spectral behavior, it is considered less performing concerning hyperspectral imaging, since a limited number of wavelengths are selected. In this work, we propose an optimized method to map the distribution of the mineral pigments used by Vincenzo Pasqualoni for his wall painting placed at the Basilica of S. Nicola in Carcere in Rome, combining UV/VIS/NIR reflectance spectroscopy and multispectral im-aging. The first method (UV/VIS/NIR reflectance spectroscopy) allowed us to characterize pigment layers with a high spectral resolution; the second method (UV/VIS/NIR multispectral imaging) per-mitted the evaluation of the pigment distribution by utilizing a restricted number of wavelengths. Combining the results obtained from both devices was possible to obtain a distribution map of a pictorial layer with a high accuracy level of pigment recognition. The method involved the joint use of point-by-point hyperspectral spectroscopy and Principal Component Analysis (PCA) to identify the pigments in the color palette and evaluate the possibility to discriminate all the pigments recog-nized, using a minor number of wavelengths acquired through the multispectral imaging system. Finally, the distribution and the spectral difference of the different pigments recognized in the multispectral images, (in this case: red ochre, yellow ochre, orpiment, cobalt blue-based pigments, ul-tramarine and chrome green) were shown through PCA false-color images