Lucille Cairns. Francophone Jewish Writers: Imagining Israel. Liverpool: Liverpool UP, 2015.

Review of Lucille Cairns. Francophone Jewish Writers: Imagining Israel. Liverpool: Liverpool UP, 2015. x + 310 pp

A POLYVALENT MEDITERRANEAN, or the trope of nomadism in the literary oeuvre of Igiaba Scego and Abdourahman A. Waberi

I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work of Nuruddin Farah among others, engage the trope of nomadism so as to propose a pre-colonial imaginary of a Somali polyvalent cosmopolitanism as a possible tool for thinking through our contemporary geographies of Africa, Europe, and the Middle East

In gesprek met Iris Kensmil: Cultuurkritiek in kunst, theorie en praktijk

This article is focused on Professor Buikema’s intellectual oeuvre and the relation between art and politics as it materialised in MOED (Museum of Equality and Difference). Astrid Kerchman and Rosa Wevers, MOED’s former project coordinators, reflect on their collaboration with Buikema through an interview with artist Iris Kensmil on the important role of art in complex social issues relating to emancipation, representation, and resistance. Drawing on the interview with Kensmil and Buikema’s Revolts in Cultural Critique (2020), Alessandra Benedicty-Kokken reflects on the meaning of feminist leadership within an institutional context

A polyvalent mediterranean, or the trope of nomadism in the literary oeuvre of Igiaba Scego and Abdourahman A. Waberi

I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work among others of Nuruddin Farah, engage the trope of nomadism so as to propose a pre-colonial imaginary of a Somali polyvalent cosmopolitanism as a possible tool for thinking through our contemporary geographies of Africa, Europe, and the Middle East.   Cet article propose que les romanciers Igiaba Scego et Abdourahman A. Waberi re-travaillent la thématique du nomadisme afin de créer un imaginaire somalien pré-colonial à la fois cosmopolite et polyvalent dans son cosmopolitisme. En dialogue notamment avec le romancier Nuruddin Farah, Scego et Waberi nous offrent ainsi des outils pour penser une géographie plus fluide entre l’Afrique, l’Europe et le Moyen-Orient

A polyvalent mediterranean, or the trope of nomadism in the literary oeuvre of Igiaba Scego and Abdourahman A. Waberi

I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work among others of Nuruddin Farah, engage the trope of nomadism so as to propose a pre-colonial imaginary of a Somali polyvalent cosmopolitanism as a possible tool for thinking through our contemporary geographies of Africa, Europe, and the Middle East.   Cet article propose que les romanciers Igiaba Scego et Abdourahman A. Waberi re-travaillent la thématique du nomadisme afin de créer un imaginaire somalien pré-colonial à la fois cosmopolite et polyvalent dans son cosmopolitisme. En dialogue notamment avec le romancier Nuruddin Farah, Scego et Waberi nous offrent ainsi des outils pour penser une géographie plus fluide entre l’Afrique, l’Europe et le Moyen-Orient

A polyvalent mediterranean, or the trope of nomadism in the literary oeuvre of Igiaba Scego and Abdourahman A. Waberi

I argue that novelists Igiaba Scego and Abdourahman A. Waberi, building on the work among others of Nuruddin Farah, engage the trope of nomadism so as to propose a pre-colonial imaginary of a Somali polyvalent cosmopolitanism as a possible tool for thinking through our contemporary geographies of Africa, Europe, and the Middle East. Cet article propose que les romanciers Igiaba Scego et Abdourahman A. Waberi re-travaillent la thématique du nomadisme afin de créer un imaginaire somalien pré-colonial à la fois cosmopolite et polyvalent dans son cosmopolitisme. En dialogue notamment avec le romancier Nuruddin Farah, Scego et Waberi nous offrent ainsi des outils pour penser une géographie plus fluide entre l’Afrique, l’Europe et le Moyen-Orient