Chinese Teaching in Chinese Department of Binus University

Binus University, established in 1974 and located in West Jakarta, is one of famous universities in Indonesia. This university has some literature departments including Chinese literature department which was started in 2002. At this moment, this department has 419 students and 28 lecturers who have different background. The difference of the students and lecturers' point of view becomes one the backgrounds of this paper. The others are text books used, campus rules and alternative solution toward the problem faced. The method used in this research is direct observation. From the data taken and analyzed, it can be concluded: (1) Chinese department students, either Chinese descendant or not, has problems in learning Chinese, (2) The number of lecturers of Bachelor graduates is more than the master ones, (3) The Chinese language mastery of Chinese descendant students is better than non Chinese descendant ones, (4) The text books used are not all suitable for Chinese department student, and (5) The quality control system of Chinese teaching is good

印 尼 华 人 的 宗 教 信 仰

The population of Chinese descendants in Indonesia reaches 7 millions. Their success cannot be taken separated from the culture embedded. On the other hand, understanding Chinese cultures cannot be separated from analyzing Chinese believes. There is a long history of Chinese religion. It has also portrayed the differences of cultures from which the portrayal forms unique symbol and characterization of its people. The outstanding quality of religions of Chinese-Indonesians is the adaptability, acceptance and openness. Indonesian Government, which has the policy of uniformity after the 1960 causes the breach of Chinese heritage for a long period of time. This has cost socio-structural gaps and multicultural disparity which is getting wider between east and west cultures. This thesis discusses the history and developments of Chinese-Indonesian religions with future predictions uphold

Akulturasi Unsur Kungfu Tiongkok dalam Pencak Silat Betawi

This study aimed to examine the influence of acculturation of Chinese Kungfu elements on Pencak Silat Betawi. The study used qualitative method and observation with interview and literature study by looking up Betawi and Pencak Silat on Batavia literature. Research finds out that the origins and influence of acculturation of Chinese Kungfu in Pencak Silat Betawi can be seen from a reciprocal relationship between the Chinese community and Betawi through the exchange of knowledge between Chinese martial arts champion and Betawi champion, or brought directly by Chinese Muslims as Master Ong and Kwee Tang Kiam. In addition, there are elements of acculturation both in naming or some movements adopted from Chinese kungfu as Chinese way in Maen Pukul Sabeni that uses two fingers (index and middle), the use of symbols that are closely related to Chinese culture symbols in the logo of Pencak Silat Sabeni, respect technique with Baoquan Li shape as in Mustika Kwitang, and so on

ANALISIS HUBUNGAN ANTAR TOKOH WANITA DALAM FILM RAISE THE RED LANTERN

ANALISIS HUBUNGAN ANTAR TOKOH WANITA DALAM FILM RAISE THE RED LANTERN

ANALISIS GAYA BAHASA DALAM NOVEL DENGJI KARYA ZHAO SHULI

written by Zhao Shuli. This paper also discusses deeper about the content of the novel, the framework and the characters in the novel. It is found that first, the writer uses simple language and easy to understand. The objective of the writer to use simple language is because it is objected to the farmers with lower level of education. Second, the frame of the novel is clear. Therefore, the readers can easily follow the thought and ideas of the writer. Third, the women characters in this novel are divided into two types. The first type is the ones who keep the feudalism view, and the other is the one who are against the vie

A BRIEF ANALYSIS ON THE MANNERISM OF STRANGE STORIES OF A CHINESE STUDIO BY PU SONGLING

Strange Stories of a Chinese Studio, commonly known as 聊斋 (Liaozhai) is a short novel written in classical Chinese from Qing dynasty. This novel was written in 1680, year 19 of Emperor Kangxi’s reign. The novel has 491 chapters. Article explored Pu Songling’s mannerism, such as the contents, material collection, innovation of artistic literary elements and images of women. It can be concluded that the novel reflects the broadness of humanistic world and thoroughly describes images of women. It broke through the restriction of thoughts in feudalism society

A Brief Analysis on The Mannerism of Strange Stories of A Chinese Studio by Pu Songling

Strange Stories of a Chinese Studio, commonly known as 聊斋 (Liaozhai) is a short novel written in classical Chinese from Qing dynasty. This novel was written in 1680, year 19 of Emperor Kangxi’s reign. The novel has 491 chapters. Article explored Pu Songling’s mannerism, such as the contents, material collection, innovation of artistic literary elements and images of women. It can be concluded that  the novel reflects the broadness of humanistic world and thoroughly describes images of women. It broke through the restriction of thoughts in feudalism society

ANALISIS PENGARUH GAMBANG KROMONG TERHADAP MASYARAKAT DI PASAR PERUMPUNG DI TINJAU DARI ASPEK SOSIOKULTURAL

ANALISIS PENGARUH GAMBANG KROMONG TERHADAP MASYARAKAT DI PASAR PERUMPUNG DI TINJAU DARI ASPEK SOSIOKULTURAL

ANALISIS UNSUR HOMOSEKSUAL DALAM NOVEL KARYA CLARA NG

ANALISIS UNSUR HOMOSEKSUAL DALAM NOVEL KARYA CLARA NG