8 research outputs found
Renouncing the Single Image: Photography and the Realism of Abstraction
This essay addresses the issue of the relationship between abstraction and realism that it argues is at stake in the rejection of any primacy accorded to the single image, in favour of a sequencing of photographs according to certain, often novelistic and epic ideas of narrative form. Setting out from the opening text of Allan Sekulaâs Fish Story, the article explores the competing tendencies towards what Georg LukĂĄcs termed ânarrationâ and âdescriptionâ as these are traced throughout Sekula's project (in part through a comparison with the contrasting works of Andreas Gursky). The essay concludes by suggesting the ways in which it is the irreducible actuality of abstraction within the concrete everydayness of capitalism's social world that means that all photographic ârealismâ is intrinsically âhauntedâ by a certain spectre of that âself-moving substance in the âshape of moneyâ, as Marx calls it, or of the abstract form of capital itself
Le Stalinisme Avatar Du LibĂŠralisme Ou Marx Le Dernier Des LibĂŠraux ? (Stalinism a Metamorphosis of Liberalism or Marx the Last of the Liberals?) (French)
Mainstreaming the money shot: Reflections on the representation of ejaculation in contemporary American cinema
This paper was an extended version of a conference paper first delivered at a three day international conference 'Men's Bodies', University of Nottingham, 2001. The collection was favourably reviewed in the Journal Of European Studies Vol 36 2006: 90-91 in which Tuck's piece was described as 'particularly engaging'