18,763 research outputs found
Aquinas on Self-Knowledge
Aquinas distinguishes two kinds of self-knowledge.
The intellect, he says, knows itself in two ways:
In the first place, singularly, as when Socrates or
Plato perceives that he has an intellectual soul because he
perceives that he understands. In the second place,
universally, as when we consider the nature of the human
mind from knowledge of the intellectual act. (ST I, 87, 1)
Although the second kind of knowledge about the
nature or essence of man raises interesting issues, in this
paper I want to consider just one thesis ascribed to
Aquinas as concerns the first kind of self-knowledge in
which the intellect knows its own mental states (hereafter
self-knowledge simpliciter). This is the thesis that what
distinguishes human beings from animals is 'a selfreflexive
power that allows them to have not only
cognitions but also cognition of the truth of their
cognitions'. (MacDonald 1993, 186) Call this the M-thesis.
One interpretation of the M-thesis might seem trivial: what
distinguishes humans from non-rational animals is not
merely the fact that they are able to have concepts and
produce thoughts on the basis of the concepts that they
possess but also that the indispensable precondition of
being a person is precisely the fact of human selfknowledge.
For what use would our concepts and thinking
be if we did not know what concepts we are having or what
thoughts we are entertaining
Transgression of Postindustrial Dissonance and Excess: (Re)valuation of Gothicism in Jim Jarmusch’s Only Lovers Left Alive
The paper gives insight into the revaluation of popular Gothic aesthetics in Jim Jarmusch’s 2014 production Only Lovers Left Alive. Drawing on critical theory and the postmodern theoretical framework, the article suggests that the film transgresses contemporary culture immersed in a “culture of death” that has produced a vast amount of cultural texts under the rubric of “Gothicism.” By considering Jean Baudrillard’s concept of transaesthetics and Judith Halberstam’s writings on contemporary monstrosity, the paper shows that a commodified Gothic mode has lost its older deconstructive functions that operated on the margins of the mainstream. Now entirely focused on the duplication of the same aesthetic codes and signs, Gothic productions conform to the rules of postindustrial culture, enriching entertainment imagery with the neutralized concept of “otherness.” Hence, the article engages primarily with Jarmusch’s indie aesthetics that goes beyond easily recognizable patterns and generic conventions and allows the director to emphasize that the arts are rejuvenating forces, the antidote to a commoditized environment. Then, the focus is on the construction of main characters—Adam and Eve, ageless vampires and spouses—who thanks to nostalgic theatricality and performance reconfigure the mainstream monstrosity. Ultimately, the article emphasizes that Jarmusch’s film, to a large extent, becomes a warning against the inevitable results of advanced capitalism practiced on a global scale
Palamas and Florensky: The Metaphysics of the Heart in Patristic and Russian Philosophical Tradition
Тhis paper focuses on the philosophical issue known as the metaphysics of the heart within
Orthodox Christianity – both Russian and Byzantie versions. Russian religious thought is based on patristic tradition. Influences and connections can be seen in Florensky’s philosophy of All-Unity. This Russian philosopher was highly inspired by Gregory Palamas, fourteenth-century Eastern Church. These two Orthodox thinkers, mainly their metaphysics of heart are objects of interests
From Physical to Spiritual Errand: The Immigrant Experience in John Winthrop, William Bradford, and Samuel Danforth
The paper analyzes early colonial representations of the New World, connected with immigration of the first- and second-generation religious dissenters in what was to become America. Taking into account the well-documented influence of Puritans on American identity (often noticed by scholars since Tocqueville), the paper elaborates on the Puritans’ and Pilgrims’ mindsets as they arrived in the New World, connected not only with their religious beliefs but most of all with a practical need to organize themselves effectively. Be it in John Winthrop’s “A Modell of Christian Charity,” William Bradford’s “Of Plymouth Plantation” or Samuel Danforth’s “New England’s Errand into the Wilderness,” the authors of these works clearly show how the Pilgrims and Puritans had to confront the experience of emigration/immigration and construct not only new ways of social organization but also new identity. The paper focuses on the immigrants’ perception of the New World, their own role and challenges they were faced with, and their thinking about the society they came from and were about to construct. It deals with their process of adjusting to the surroundings and discussing values they decided to promote for the sake of communal survival in the adverse conditions of the New World
The Role of the Bible in the Formation of Philosophical Thought in Kievan Rus’ (as Exemplified by Ilarion of Kiev, Kliment Smolatič, and Kirill of Turov)
The article is an attempt to critically evaluate the manifestations of the philosophical culture sprouting in Rus’. With the baptism in the Byzantine Rite, Rus’ in the 10th century joined the family of Christian nations and defined the future direction of her own cultural development. The Middle Ages in Rus’ were eminently theocentric. Literature (which was mostly translated from the Greek in Bulgarian monasteries) had a religious character. Sacral content, assimilated in Rus’ mainly through the Old Church Slavonic (due to the scarce knowledge of Greek) had a decisive influence on formation of the philosophical worldview of Rus’ intellectual elite. The Bible thus became the main reference framework for the first Rus’ thinkers-philosophers: Ilarion of Kiev († 1055), Kirill of Turov († 1183) and Kliment Smolatič († 1164). Ilarion of Kiev, the first metropolitan of the Kievan Rus’ in his rhetoric work (which postulated the superiority of the New Testament to the Old) expressed a philosophical thesis of the equality of all Christian nations before God. Kliment Smolatič, the second metropolitan of Rus’, in his Letter to Presbyter Foma, defended the allegorical method of interpretating the Bible. Kirill of Turov, in his turn, in his Parable of the human soul and body allegorically tried to answer the question about the relationship of the body and the soul. For the Rus’ thinkers the content of the Bible served as a pretext for philosophical reflection, e.g. on the role of man in the universe, on the nature of reality, on the relation between matter and spirit. In their works we find the beginnings of the theory of knowledge, metaphysics, ethics, and aesthetics
THE MEASUREMENT OF THE ECONOMIC DISTANCE ON THE BASIS OF SYMBOLIC DATA
The economic distance defines a dissimilarity level between objects functioning in the economic space. It is one of the most important issues of spatial econometrics. However its measurement is difficult due to the definition, description and estimation problems. The objective of the paper is to indicate the role of symbolic data in describing the economic distance and also the way of its measurement using symbolic data analysis methods. A significance of the economic distance, measurement problems, symbolic data concept and dissimilarity measures, and also an empirical example were presented in the paper
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