The Misunderstood Mission of Jean Nicolet: Uncovering the Story of the 1634 Journey

Review of: The Misunderstood Mission of Jean Nicolet: Uncovering the Story of the 1634 Journey, by Patrick J. Jung.

The Role of the Unconscious in the Perception of Risks

Dr. Fritzsche argues that our world is too rational and that the psychology of the unconscious, as developed by Jung, can be key to understanding responses to hazards and to resolving conflicts that arise in the political management of risks

Boston University Singers, April 22, 1993

This is the concert program of the Boston University Singers performance on Thursday, April 22, 1993 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were "Coronation Anthem-The King Shall Rejoice" by George Frideric Handel, Thou, O Lord and Canticle from "Three Sacred Pieces" by David Conte, Hold On! arranged by J. Hairston, I Want Jesus arranged by J. Hairston, and Ain'-a That Good News! aarranged by William Dawson. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Vacario\u27s 100 illustrated Bible verses: Inspiring words. Beautiful art (Book Review)

A review of Vicario, J. (2015). 100 illustrated Bible verses: Inspiring words. Beautiful art. New York: Workman Publishing. 206 pp. ISBN 978076118566

Collaborative Piano Student Recital, November 17, 1993

This is the concert program of the Collaborative Piano Student Recital on Wednesday, November 17, 1993 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Sonata for Piano and Violin, Op. 30 No. 3 by Ludwig van Beethoven, Chanson triste by Henri Duparc, Extase by H. Duparc, L'invitation au voyage by H. Duparc, Allerseelen by Richard Strauss, Nacht by R. Strauss, Zueignung by R. Strauss, Von ewiger Liebe by Johannes Brahms, O kühler Wald by J. Brahms, and "Song to the Moon" from "Rusalka" by Antonin Dvorák. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Grieving, Therapy, Cinema and Kieslowski's Trois Couleurs: Rouge

Cultural associations with red are potent. They include blood and intense passion, injury and death, love and life; and all these are authentic indications of Kieslowski’s themes. Yet in this film the connotations of the colour are not exclusively traditional because the heroine, a model, will have her image displayed on a gigantic scarlet billboard to promote bubble gum. The model’s glamorous, colour-saturated but transient world and the grey existence of an emotionally constipated senex come into contact. The initially hostile contact between this ill-matched pair brings them not into each other’s arms – this is no romantic comedy – but, through discovery of each other’s weaknesses and strengths, to a degree of completion (not perfection) in which conscious and unconscious are better aligned. In part they are moved by synchronicities in which the life of a young advocate begins to echo the judge’s past. Not only this factor (which extends the reach of the drama beyond the odd couple) but the ever present cultural socio-cultural background of advertising and judicial morality generalise the issues of the main protagonists across the European collective. Eventually the unforgettable calamity with which the film ends brings into focus the characteristics of the main protagonists from the entire trilogy that renders them psychologically convincing survivors

Contribution to Enrichment of Korean Academy of Asthma Allergy Clinical Immunology: Homage to Professor You-Young Kim, the Pioneer Exploring Allergology in Korea

Park HW, 2009, RESP MED, V103, P284, DOI 10.1016/j.rmed.2008.08.009Kim YK, 2007, ALLERGY, V62, P208, DOI 10.1111/j.1398-9995.2006.01273.xPark HW, 2006, J ALLERGY CLIN IMMUN, V117, P774, DOI 10.1016/j.jaci.2005.12.1328Kim YK, 2002, CLIN EXP ALLERGY, V32, P1706Kim YK, 2002, CLIN EXP ALLERGY, V32, P1305, DOI 10.1046/j.1365-2745.2002.01478.xKim YK, 2002, CLIN EXP ALLERGY, V32, P751Kim SH, 2002, J ALLERGY CLIN IMMUN, V109, P630, DOI 10.1067/mai.2002.122842Kim YK, 2001, CLIN EXP ALLERGY, V31, P582, DOI 10.1046/j.1365-2222.2001.01056.xKim YK, 1999, J ALLERGY CLIN IMMUN, V104, P1285Kim YK, 1999, J ALLERGY CLIN IMMUN, V104, P618Kim YK, 1999, CLIN EXP ALLERGY, V29, P1102, DOI 10.1046/j.1365-2222.1999.00607.xKim YK, 1999, J ALLERGY CLIN IMMUN, V104, P311Kim YY, 1997, CLIN EXP ALLERGY, V27, P761KIM YY, 1985, BRIT J CLIN PHARMACO, V19, P631

Piano Ensemble Recital, April 27, 1994

This is the concert program of the Piano Ensemble Recital on Wednesday, April 27, 1994 at 12:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Larghetto and Allegro in E-flat major for Two Pianos by Wolfgang Amadeus Mozart, Variations on a Theme by Haydn, Op. 56b for Two Pianos by Johannes Brahms, Waltzes Op. 39 for Four Hands by J. Brahms, "Danzón Cubano" for Two Pianos by Aaron Copland, I. Barcarole from Suite for Two Pianos, Op. 5 by Sergey Rachmaninov, "Ma Mere l'Oye" for Fours Hands by Maurice Ravel, "Scaramouche" for Two Pianos by Darius Milhaud, and Sonata for Two Pianos by Francis Poulenc. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund