Trivial and normative? Online fieldwork within YouTube’s beauty community

In this article, I discuss methodological understandings around qualitative research and online ethnographic practice to bring forward a reflexive account on the particularities of doing fieldwork on YouTube. I draw from a multiyear ethnographic examination of YouTube’s beauty community that sought to understand online popularity framed by local norms and practices and shed light into the local significance of knowledge, expertise, and self-development. I argue for an epistemological perspective that acknowledges the diversity of viable, conceivable fieldwork experiences while distancing from prescriptive modes of argumentation. I propose seeing fieldwork in and through its richness and predicaments, persistently naturalistic while interpretive. I approach online popularity, fandom, and even YouTube itself from a perspective that tolerates ambivalence, contradictions, and embraces the complexity of social worlds and human interaction

1. Production de la culture : une critique de la littérature anglo-saxonne sur les médias

Jensen Joli. 1. Production de la culture : une critique de la littérature anglo-saxonne sur les médias. In: Vibrations, N. 3, 1986. Les musiques des radios. pp. 99-118

Creating the Nashville Sound: A Case Study in Commercial Culture Production (Tennessee)

227 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1984.The thesis is an interpretive analysis of country music production in the 1950s and early 60s. It explains the change in the music during the period as the result of symbolic negotiation within the country music industry. The Nashville Sound is seen as the resolution of a struggle to construct a form of music that was considered country, but was acceptable to a wider audience. The analysis is based in a developed "interpretive approach" to commercial culture production. It examines the history and nature of country music, the changing radio/record relationship in the 1950s, the tension in Nashville between the values of the Grand Ole Opry and those of the developing Music Row. It uses Patsy Cline's recording career to illustrate how the music served as an arena in which values and beliefs were negotiated. It concludes with an analysis of how change in a cultural form affects the ability of symbolic material to articulate a social group.U of I OnlyRestricted to the U of I community idenfinitely during batch ingest of legacy ETD

Creating the Nashville Sound: A Case Study in Commercial Culture Production (Tennessee)

227 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1984.The thesis is an interpretive analysis of country music production in the 1950s and early 60s. It explains the change in the music during the period as the result of symbolic negotiation within the country music industry. The Nashville Sound is seen as the resolution of a struggle to construct a form of music that was considered country, but was acceptable to a wider audience. The analysis is based in a developed "interpretive approach" to commercial culture production. It examines the history and nature of country music, the changing radio/record relationship in the 1950s, the tension in Nashville between the values of the Grand Ole Opry and those of the developing Music Row. It uses Patsy Cline's recording career to illustrate how the music served as an arena in which values and beliefs were negotiated. It concludes with an analysis of how change in a cultural form affects the ability of symbolic material to articulate a social group.U of I OnlyRestricted to the U of I community idenfinitely during batch ingest of legacy ETD