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    Using film cutting in interface design

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    It has been suggested that computer interfaces could be made more usable if their designers utilized cinematography techniques, which have evolved to guide the viewer through a narrative despite frequent discontinuities in the presented scene (i.e., cuts between shots). Because of differences between the domains of film and interface design, it is not straightforward to understand how such techniques can be transferred. May and Barnard (1995) argued that a psychological model of watching film could support such a transference. This article presents an extended account of this model, which allows identification of the practice of collocation of objects of interest in the same screen position before and after a cut. To verify that filmmakers do, in fact, use such techniques successfully, eye movements were measured while participants watched the entirety of a commerciall

    A Presheaf Interpretation of the Generalized Freyd Conjecture

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    We give a generalized version of the Freyd conjecture and a way to think about a possible proof. The essential point is to describe an elementary formal reduction of the question that holds in any triangulated category. There are no new results, but at least one known example drops out quite trivially.Comment: 8 pages; formerly titled "Thinking about the Freyd conjecture
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