Preverbal Prediction in the Comprehension of Filler-gap Dependencies by Japanese Learners of English

This study investigates whether Japanese learners of English form filler-gap dependencies in advance of a verb, predicting an upcoming verb’s information in English, using a self-paced reading experiment. The results demonstrate that Japanese learners of English, at least those who have experienced sufficient exposure to English in English-speaking countries, postulate a gap at the complement position of a verb before the actual verb is encountered and predict a verb that takes a complement while reading English relative clauses. This finding provides evidence that Japanese learners’ comprehension of filler-gap dependencies in English is predictive and is driven by the thematic motivation for early confirmation of the thematic role of the filler. This study also demonstrates that the predictive process in non-native language comprehension of filler-gap dependencies depends on the nature of exposure to a target language.言語

胆嚢癌診断における胆汁細胞診の適応と有用性

広島大学(Hiroshima University)博士(医学)Doctor of Philosophy in Medical Sciencedoctora

The Pleasure of the Senses: The Art of Sensation in Shelley’s Poetics of Sensibility

This thesis examines Shelley’s art of sensuous imagery, or poetics of sensibility. To elucidate Shelley’s concept of sensibility which links his poetry to its ethical and aesthetic concerns, I combine close textual readings of Shelley’s imagery of the senses with his intellectual and cultural inheritance from the ‘Age of Sensibility’ which encompasses ‘moral philosophy’ (ethics and aesthetics) and ‘natural philosophy’ (science). Chapter I focuses on Shelley’s notions of sensuous pleasure and sympathy. _A Defence of Poetry_ is a pivotal text that expounds Shelley’s aesthetic and ethical taste, exemplified by his concept of sympathy. Taking up this argument, Chapter II investigates Shelley’s vegetarian politics in _Queen Mab_, rooted in what I call _(dis)gusto_, ‘taste’ in both its physical and aesthetic senses. Chapter III focuses on aural imagery in ‘Hymn to Intellectual Beauty’ and ‘Mont Blanc.’ Exploring the interplay between motion and emotion reveals how aesthetics and psychology, in Shelley’s lyrics, are associated with the vocalisation of poetic inspiration. Chapter IV considers the relation of sight to Shelley’s notion of the fragmentary in two ekphrastic texts concerned with visual representation, ‘The Coliseum’ and ‘On the Medusa of Leonardo da Vinci, In the Florentine Gallery,’ which illuminate Shelley’s idea of a circulating and sympathetic power that unifies humans or subject with object, alongside a fragmentary imperative within these texts. Chapter V investigates Shelley’s treatment of touch and Nature’s economy in ‘The Sensitive-Plant’ by juxtaposing Shelley’s poem with Erasmus Darwin’s cyclical system of Nature known as ‘organic happiness,’ which is recognised only by sympathetic sensibility. Chapter VI considers the intermingled imagery of scent and sympathetic love in _Epipsychidion_ in conjunction with Shelley’s theory of nervous vibrations influenced by eighteenth-century psycho-physiological discourses, mediated through the imagery of Venus, whose duality embodies the interrelations between sensuous pleasure and ideal beauty in Shelley’s poetics of sensibility

Low-Resolution Spectrum of the Diffuse Galactic Light and 3.3 um PAH emission with AKARI InfraRed Camera

We first obtained the spectrum of the diffuse Galactic light (DGL) at general interstellar space in 1.8-5.3 um wavelength region with the low-resolution prism spectroscopy mode of the AKARI Infra-Red Camera (IRC) NIR channel. The 3.3 um PAH band is detected in the DGL spectrum at Galactic latitude |b| < 15 deg, and its correlations with the Galactic dust and gas are confirmed. The correlation between the 3.3 um PAH band and the thermal emission from the Galactic dust is expressed not by a simple linear correlation but by a relation with extinction. Using this correlation, the spectral shape of DGL at optically thin region (5 deg < |b| < 15 deg) was derived as a template spectrum. Assuming that the spectral shape of this template spectrum is uniform at any position, DGL spectrum can be estimated by scaling this template spectrum using the correlation between the 3.3 um PAH band and the thermal emission from the Galactic dust.Comment: 7 pages, 5 figures, accepted by Publications of the Astronomical Society of Japan (PASJ