Multiple Mediations in Zora Neale Hurston's Mules and Men

Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/67224/2/10.1177_0308275X9301300404.pd

Why the Negro Won’t Buy Communism (1951)

Reprinted with permission of The American Legion Magazine, © June, 1951. www.legion.org

Selections, 1995

1001 p. : ill. ; 21 cm

Selections. 1995

1041 p. ; 21 cm

Why the Negro Won’t Buy Communism (1951)

Reprinted with permission of The American Legion Magazine, © June, 1951. www.legion.org

I Saw Negro Votes Peddled (1950)

Reprinted with permission of The American Legion Magazine, © November, 1950. www.legion.org

Every tongue got to confess : regro folk tales from the gulf states/ Hurston

xxxi, 274 hal.; 21 cm

Room

Virginia Woolf’s essay A Room of One’s Own is celebrated as perhaps the most significant work of feminist literary criticism. However, the women at the centre of the text are privileged and white, and Woolf’s inclusion of a silent ‘negress’ undermines claims about the work’s universality. In ‘Room,’ the author takes on Woolf’s ideas about creative women’s need for a private room and explores the rooms and spaces occupied by women from her past including her mother during the Windrush era and her great-great-great grandmother who escaped slavery to live in a cave. The piece is presented using a hybrid form which involves the interweaving of creative and critical elements, devices and genres. It takes as its stylistic starting point black vernacular ‘signifying’ traditions of speaking back, revision and pastiche and engages with feminist arguments which recognise lived experience as a powerful form of knowledge. The work makes an important contribution to present and urgent conversations about decolonising the curriculum