17 research outputs found

    House and home in Vancouver: the emergence of west coast urban landscape, 1886-1929

    No full text
    This thesis explores the making of the Vancouver residential landscape during the first fifty years after the completion of the Canadian Pacific Railway. A city of uncommon attractiveness set next to sea and mountain, Vancouver offered unusual residential opportunities within a rapidly expanding commercial and industrial city. High wages and cheap land made accessible by the streetcar enabled even very ordinary people to buy or build houses on lots up to eight miles from their place of work. Vancouverites admired the resulting suburban landscape, set away from industry and commerce and providing open space, gardens, and rural flavour. Land and home ownership, amid thereby control over the domestic environment, were important to them; Suburban Vancouver reflected imported values and local opportunities, and both were orchestrated by a property market that was dominated by speculation. These relationships are considered in the first three chapters of the thesis. The next three chapters deal with house styles in Vancouver, as influenced by builders, pattern books, and architects. Three broad styles are recognized. The first, in the period from 1886 to 1910, were late Victorian designs used for a range of cabins, cottages, frame two-storey houses and mansions. Gingerbread trim, turrets or elaborate porches, mostly acquired from factory or mill along with other building elements, suggest the industrial and American pedigree of houses on the downtown peninsula and proximate suburbs. A second style, strongly influenced by the Arts and Crafts movement in California, apparently rejected earlier standardized industrial products. The California Bungalow, popular from about 1910 to the mid-1920s, was a simple and open house that emphasized the texture of shingle, rafter, brick and stone. These bungalows were available in one- and two-storey versions and were associated with innovative marketing strategies in California. Mimicking both California styles and real estate practices, Vancouver building contractors added a strongly West Coast element to the city's streetscapes after 1910. A third style, an explicity English pre-industria1 revival, was a variant of Arts and Crafts influence inspired by English Tudor Cottages and thatched farmhouses. For the city's largely anglo-saxon elite, Tudor mansions were popular; their expansive form and historical detail had been interpreted in North American taste-making centres such as Philadelphia. The same Tudor and thatched cottage motifs, along with other revivalist styles, served smaller houses in the largely middle class suburbs of Point Grey and thereby hinted at estate living, albeit on a small lot. The significance of these landscape elements is discussed from the perspective of technological change, social values, class relations, and regional distinctiveness. While Vancouver houses were the product of an industrial system, the high level of home-ownership and the successful separation of home and work mark an important stage in the evolution of urban form beyond that of the typical industrial city. The city-as-suburban-landscape, generically available elsewhere on the continent, came to Vancouver with a unique mix of elements that reflect the region's migration patterns, social aspirations and economy. As an exercise in urban historical geography, the thesis also offers a concrete perspective on issues of identity and meaning that are of concern in contemporary human geography.Arts, Faculty ofGeography, Department ofGraduat

    Introduction

    No full text

    Looking Inside The Skyscraper: Size and Occupancy of Toronto Office Buildings, 1890-1950

    No full text
    Les gratte-ciel sont devenus un élément distinctif du paysage urbain des centre villes et sont perçus comme symboles de progrès et de transformations économiques. Les recherches sur leurs conditions d’implantation doivent cependant aller plus loin qu’une simple description de leur hauteur et de leur façade. S’appuyant sur des exemples de Toronto, en Ontario, les auteurs ont recours à des mesures plus utiles — la superficie de plandier, la location, les niveaux d’emploi — qui ont été calculées pour plusieurs générations d’édifices à bureaux. Les auteurs discutent les avantages et les limites des atlas de compagnies d’assurance-incendie, des rôles d’évaluation, des annuaires, et des arelieves d’entreprises. Les exemples étudiés montrent l’interaction des forces qui façonnent le paysage des édifices à bureaux.Although the emergence of skyscrapers as a distinctive element in the downtown fabric symbolizes economic change and progress, research questions surrounding their appearance need to go beyond merely noting their height and facade detail. Using case studies in Toronto, Ontario, this paper investigates more useful measures such as floor space, tenancies, and employment levels that have been calculated for several generations of office buildings. The possibilities and limitations of fire insurance atlases, assessment rolls, street directories, and company records are examined. The case studies suggest the interrelatedness of forces at work in shaping office-district landscapes
    corecore