Acknowledgment to the Reviewers of Histories in 2022

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Angel Island Oratorio | By Huang Ruo, Conducted by Wei Cheng, Performed by the Berkeley Chamber Chorus and the Del Sol Quartet (Excerpts, 3 min)

Angel Island Oratorio | Performance by Huang Ruo, conducted by Wei Cheng, and performed by the Berkeley Chamber Chorus and the Del Sol Quartet (Winter 2022)Performance excerpts, 3 min; This December 3, 2022 performance of Huang Ruo’s Angel Island Oratorio at Hertz Hall, UC Berkeley, was one of two performances that were the centerpieces of a year of curriculum and public programming about immigration and incarceration called A Year on Angel Island. Along with the February 23-26, 2023 performances of Within These Walls, by Lenora Lee Dance, this oratorio for voices and strings provided UC Berkeley students a chance to perform meaningful works of art as a way to explore challenging topics.From 1910 to 1940, the Angel Island Immigration Station in San Francisco Bay processed hundreds of thousands of immigrants from more than 80 countries, most from Asia.  Its administration and detention facilities were built in order to enforce the Chinese Exclusion Act and other discriminatory laws. Today it is a National Historic Landmark located within the Angel Island State Park.A Year on Angel Island was a project of the UC Berkeley Future Histories Lab and Berkeley Arts+Design and was supported by the Mellon Foundation. Co-directors of the project were Susan Moffat and Lisa Wymore.The Angel Island Oratorio was commissioned by the Del Sol Quartet with the support of the Hewlett Foundation. It premiered inside the Detention Barracks at the Angel Island Immigration Station in 2021. The 2022 UC Berkeley production was created by:Huang Ruo, composerWei Cheng, music directorOlivia Ting, visual designerKy Frances, choreographerMia Chong, choreographerThe Del Sol Quartet: Kathryn Bates, Benjamin Kreith, Charlton Lee, and Sam Weiser

Rooted in Place: Radical South Asian Storytelling Blooms in Berkeley | Barnali Ghosh (Lecture, 77 minutes)

Rooted in Place: Radical South Asian Storytelling Blooms in Berkeley | Barnali Ghosh (Fall 2022 Speaker Series)Lecture, 77 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Recording of presentation at @BAMPFA Osher Theater; free and open to the public Friday, October 7, 2022Speakers: Barnali Ghosh, Artist, Community Activist, and DesignerBarnali Ghosh talks about creating the award-winning Berkeley South Asian Radical History Walking Tour, part of a growing movement of activist-led, place-based storytelling. She and partner Anirvan Chatterjee have led thousands of people through walks on Berkeley streets revealing little-known histories of immigrant freedom fighters in the 1910s and queer and feminist organizers in more recent years. Ghosh also led the campaign to rename part of Berkeley’s Shattuck Avenue after Kala Bagai, an early 20th-century community leader who immigrated through Angel Island. As part of her explorations of place and identity, Ghosh has expanded her art practice into photographic self-portraits that highlight the beauty of the native plants of California and the fabrics of South Asia.Barnali Ghosh is a designer, artist, storyteller, and transportation justice advocate. She co-founded the award-winning Berkeley South Asian Radical History Walking Tour. Her work attempts to bridge homes and homelands, and create spaces for belonging. She is active in Bay Area Solidarity Summer, Walk Bike Berkeley, the Alliance of South Asians Taking Action, and the Berkeley Reimagining Public Safety Task Force. She has a Master’s in Landscape Architecture from UC Berkeley. You can see her work on instagram @berkeleywali and @berkeleysouthasian or at www.barnalighosh.art.UC @Berkeley Arts + Design Fridays: Landscapes of Migration, Incarceration, and Resistance is a lively series of talks by artists, performers, scholars, and activists exploring themes of global and US migration, exclusion, and belonging. It is also a UC Berkeley course offered as Humanities 20: Explorations of Art + Design. Organized by Susan Moffat, Creative Director of Future Histories Lab and Executive Director of the Global Urban Humanities Initiative and by Lisa Wymore, Professor of Theater, Dance and Performance Studies and Faculty Advisor of Berkeley Arts + Design. Hosted by Susan Moffat.--This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation

Oral histories collection 1973-1990

Consists of typewritten oral history transcripts of executives in the United Jewish Appeal and the Jewish Welfare Federation in Detroit. The interviewees are Herbert A. Friedman (1918- ), fomer Executive Chairman of the UJA; Lawrence H. Rubinstein (1940- ), former Executive Director of the UJA's National Young Leadership Cabinet; and Leonard N. Simons (1904- ), former Campaign Director for the Jewish Welfare Federation of Detroit and Detroit Civic Leader. Also includes inventories for oral histories available at the Federation of Jewish Agencies of Greater Philadelphia and the Jewish Federation of Nashville and Middle Tennesseeunknown (Compiled by AJHS staff)NHPRCCAT - rcBatch change test 0806201

Indigenous Memory and Nature Interact: Native Californian Stories | Greg Sarris and Beth Piatote (Lecture, 75 minutes)

Indigenous Memory and Nature Interact: Native Californian Stories | Greg Sarris and Beth Piatote (Fall 2022 Speaker Series)Lecture, 75 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Friday, September 2, 2022 Recording of presentation at @BAMPFA Osher Theater; free and open to the publicSpeakers:Greg Sarris, Tribal Chairman, Federated Indians of Graton Rancheria (Coast Miwok) and Author In conversation with Beth Piatote, Associate Professor of Comparative Literature and English, UC Berkeley; Director, Arts Research CenterDescription:Indigenous leader and author Greg Sarris joined Assoc. Prof. of Comparative Literature and English Beth Piatote to discuss how literature and nature intersect with stories of Bay Area Native American history. Sarris shared insights from his memoir Becoming Story, which explores Coast Miwok culture. Centering Native lands, such as Angel Island (Coast Miwok territory) can frame a dialogue about Native American resistance and persistence in the face of settler colonialism and global migration.UC Berkeley Arts + Design Fridays: Landscapes of Migration, Incarceration, and Resistance is a lively series of talks by artists, performers, scholars, and activists exploring themes of global and US migration, exclusion, and belonging. It is also a UC Berkeley course offered as Humanities 20: Explorations of Art + Design. Organized by Susan Moffat, Creative Director of Future Histories Lab and Executive Director of the Global Urban Humanities Initiative and by Lisa Wymore, Professor of Theater, Dance and Performance Studies and Faculty Advisor of Berkeley Arts + Design. Hosted by Susan Moffat.—This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation

Black Liberation Walking Tour: Live and Recorded Tours | David Peters (Lecture, 56 minutes)

Black Liberation Walking Tour: Live and Recorded Tours | David Peters (Fall 2021 Colloquium)Lecture, 56 minutes; Part of the Fall 2021 Colloquium (Place-Based Storytelling Techniques and Technologies)Click the title and scroll to the gray box below to access the video.Can walking tours be an effective measure in countering the loss of historically and culturally significant spaces? How does the expansion of public awareness of the past feed into activism surrounding present day development? What are the benefits of transitioning a live neighborhood tour into a self-guided tour? On Juneteenth of this year, the Black Liberation Walking Tour launched in West Oakland. The project is a new walking tour, or community-led cultural asset map, of the Hoover Durant neighborhood that celebrates its multi-generational Black history and culture. The tour is self-guided via mobile phone, has nine locations, incorporating QR codes, and takes about an hour. Visitors on the tour listen to a story at each location altogether experiencing a narrative that begins with the early West Coast civil rights movement through the second wave of the Great Migration to the Black Liberation actions of the present day. A project of the West Oakland Cultural Action Network (WOCAN), the BLWT uses oral history to capture the lives, art, and culture of long-time residents, historical figures, and rapidly disappearing former Black cultural spaces. David will share his experiences in curating and producing the tour and his current efforts to use the tour as part of a public mobilization strategy towards the reestablishment of the Hoover-Durant Public Library branch.Speaker Bio:David Peters grew up in the Hoover-Durant neighborhood of West Oakland. He’s a master storyteller who created the Black Liberation Walking Tour to share the vibrant history of this neighborhood that was torn up by freeway construction, like so many other African American districts. He’s on the steering committee negotiating community benefits around the proposed Oakland A’s ballpark at Howard Terminal.Learn more about our fall colloquium here: https://futurehistories.berkeley.edu/..

Undoing Time: Art and Histories of Incarceration | Julio Morales (Lecture, 75 minutes)

Undoing Time: Art and Histories of Incarceration | Julio Morales (Fall 2022 Speaker Series)Lecture, 75 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Recording of presentation at @BAMPFA Osher Theater; free and open to the public Friday, November 4, 2022Speaker: Julio Morales, Artist and CuratorDescription: Curator Julio Morales talks about his current BAMPFA exhibition, Undoing Time: Art and Histories of Incarceration, which considers the cultures and institutions of confinement that have been centuries in the making. The exhibition features newly commissioned works based on art historical images of incarceration. The twelve contemporary artists in the exhibition—Carolina Aranibar-Fernández, Juan Brener, Raven Chacon, Cannupa Hanska Luger, Ashley Hunt, Sandra de la Loza, Michael Rohd, Paul Rucker, Xaviera Simmons, Stephanie Syjuco, Vincent Valdez, Mario Ybarra Jr.—invest in community collaboration, work in an expansive range of media, and rethink traditional archival research to consider how artistic expression reveals the underlying logics of criminality and correction.Julio César Morales, by deploying a range of media and visual strategies, investigates issues of migration, underground economies, and labor on the personal and global scales. Morales’ practice explores diverse mediums specific to each project or body of work. He has painted watercolor illustrations that diagram human trafficking methods, employed the DJ turntable, produced video and time-based pieces, reenacted a famous meal–all to elucidate social interactions and political perspectives.Morales’ artwork has been shown at venues internationally, including; San Francisco Museum of Modern Art, CA; Museo Rufino Tamayo, Mexico City; Los Angeles County Museum of Art, CA; Hammer Museum, Los Angeles, CA; MUCA Roma, Mexico City; Prospect 3 Biennale, New Orleans, LA; Lyon Biennale, France, and Istanbul Biennale, Turkey. His work is in private and public collections including The Museum of Modern Art, New York; Museum of Fine Arts, Houston, TX; Pérez Art Museum, Miami, FL; The Los Angeles County Museum of Art, CA; The Kadist Foundation, San Francisco and Paris, and Deutsche Bank, and among others. In May 2018, Morales was awarded the Phoenix Art Museum’s Arlene and Morton Scult Contemporary Forum Award, which culminated in a major solo exhibition in 2019. In 2021, a solo exhibition of Morales work will be presented at the Museum of Contemporary Art, Tuscon, AZ.--This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation

Preventing Erasure: How the Angel Island Immigration Station Was Saved | Ed Tepporn (Lecture, 76 minutes)

Preventing Erasure: How the Angel Island Immigration Station Was Saved | Ed Tepporn (Fall 2022 Speaker Series)Lecture, 76 minutes; Part of the Fall 2022 Speaker Series (Landscapes of Migration, Incarceration and Resistance)Click the title and scroll to the gray box below to access the video.Friday, September 16, 2022 Recording of presentation at @BAMPFA Osher Theater; free and open to the publicSpeaker:Ed Tepporn, Executive Director, Angel Island Immigration Station FoundationDescription: Angel Island in San Francisco Bay is a crucial spot marking the history of exclusionary, race-based immigration policy. Its immigration station has sometimes been called “the Ellis Island of the West.” But Angel Island was an ambivalent gateway, a place of incarceration and exclusion for migrants as well as an entry for half a million newcomers from 80 countries, mostly from Asia. Despite its significance, this important historical site was almost lost. Ed Tepporn will discuss how activists saved this site, current day efforts, and its meaning for the future.UC @BerkeleyArtsDesign Fridays: Landscapes of Migration, Incarceration, and Resistance is a lively series of talks by artists, performers, scholars, and activists exploring themes of global and US migration, exclusion, and belonging. It is also a UC Berkeley course offered as Humanities 20: Explorations of Art + Design. Organized by Susan Moffat, Creative Director of Future Histories Lab and Executive Director of the Global Urban Humanities Initiative and by Lisa Wymore, Professor of Theater, Dance and Performance Studies and Faculty Advisor of Berkeley Arts + Design. Hosted by Susan Moffat.--This speaker series is part of a program of music and dance performances, exhibitions, public conversations, and courses called A Year on Angel Island (futurehistories.berkeley.edu/angel-island/), using the historic Angel Island Immigration Station in San Francisco Bay as a jumping-off point to consider landscapes from China to Australia to Mexico as sites of memory and meaning.A Year on Angel Island is organized by Future Histories Lab and the Arts + Design Initiative. UC Berkeley departmental cosponsors include the Departments of Music; Theater, Dance, and Performance Studies; Ethnic Studies; History; and American Studies. Campus partners include the Arts Research Center, the Berkeley Interdisciplinary Migration Initiative, On the Same Page, Othering and Belonging Institute, Center for Race & Gender, Worth Ryder Gallery, and BAMPFA. Our community partner is the Angel Island Immigration Station Foundation

The Story Center: Storytelling Techniques | Joe Lambert and Brooke Hessler (Lecture, 60 minutes)

The Story Center: Storytelling Techniques | Joe Lambert and Brooke Hessler (Fall 2021 Colloquium)Colloquium Speakers, 60 minutes; Part of the Fall 2021 Colloquium (Place-Based Storytelling Techniques and Technologies)Click the title and scroll to the gray box below to access the video.StoryCenter Executive Director Joe Lambert and Media Artist Brooke Hessler joins Future Histories Lab to launch our fall 2021 Colloquium: Techniques and Technologies of Place-Based Storytelling. Brooke and Joe presents from their well of experience in teaching storytelling and creating space for others to articulate stories, as well as ground us in elements of story and authorship that will serve as a foundation for the rest of the semester.About StoryCenter: Through programs and public workshops, StoryCenter provides individuals and organizations with skills and tools that support self-expression, creative practice, and community building. The founders of StoryCenter were influenced by the artistics movements of the 1970s and 80s that pluralized art and expression to be accessible to all, not just those gifted or professional. They storytelling gave powerful voice to harm, healing, and hope during social and political upheaval. During the 1990s, a group of Bay Area artists came together to explore digital media tools and eventually evolved into StoryCenter in 2015. Since 1993, StoryCenter has worked with nearly a thousand organizations world-wide and helped over 20,000 individuals share their stories.About the speakers:Born and raised in Texas, Joe Lambert, has been active in the Bay Area arts community for the last 25 years as an arts activist, producer, administrator, teacher, writer, and director. In 1986, he co-founded Life On The Water, a successful nonprofit production company that served San Francisco’s diverse communities. Almost ten years later, with then-wife Nina Mullen and colleague Dana Atchley, Joe founded StoryCenter (formerly the Center for Digital Storytelling). Joe has produced over 500 shows, ranging from theatrical runs and single performances, to citywide festivals and digital story screenings. Prior to his career in the arts, he was trained as a community organizer and assisted in numerous local, statewide, and national public policy campaigns on issues of social justice and economic equity. BA, Theater and Political Science, University of California at Berkeley.Brooke Hessler, Ph.D. is Director of Learning Resources at California College of the Arts, where she teaches courses in writing and multimodal composition and learns more every day about verbal, nonverbal, and transverbal meaning-making. She collaborates with peer coaches, faculty, and staff to help students build and communicate their knowledge and creative vision—in and beyond their campus communities. For over 20 years Brooke has worked as a community literacy activist and educator, helping people tell their stories, finding more ways to listen.Learn more about our fall colloquium here:https://futurehistories.berkeley.edu/courses/topics-in-city-and-metropolitan-planning-place-based-storytelling-techniques-and-technologies