Herkules – Held zwischen Tugend und Hybris. Ein europäischer Erinnerungsort der Frühen Neuzeit?

This essay traces some of the contexts and media in which "Heracles-Hercules" - as a hero between virtue and hubris - was visible in European societies from the end of the middle ages onwards. It discusses whether this example of the reception, appropriation and transformation of classical myths in the early modern period can be understood as a European "lieu de mémoire", and to what extent the concept of "lieux de mémoire" (or sites of memory) can foster our understanding of a particular object of study (here the Heracles/Hercules myth). Against this backdrop, we conclude with some general questions about the more ambitious project* of a comprehensive register of European "lieux de mémoire". * * Published as: Boer, Pim den / Duchhardt, Heinz / Kreis, Georg / Schmale, Wolfgang (eds.): Europäische Erinnerungsorte, 3 vols., Munich 2011–201

"Vortreffliche Belichtung!" : die Erfindung des Oberlichts und der Weg zum modernen Kunstmuseum

Der Umgang mit Licht ist beim Kuratieren von Ausstellungen und Sammlungspräsentationen von zentraler Bedeutung. Welchen Status erhalten die Exponate, welche Position nehmen sie innerhalb des Raums ein? Werden nur einzelne Objekte im Halbdunkel punktuell angestrahlt und geradezu auratisch inszeniert, oder wird der Raum gleichmäßig ausgeleuchtet? Die Debatte um diese Fragen erhielt durch den Bau der Kasseler Gemäldegalerie 1750 entscheidende Impulse

Exhibiting the Exhibition : From the Cabinets of Curiosities to the Curatorial Situation

" Exhibiting the Exhibition investigates the history of exhibiting up to the present day. The show at the Staatliche Kunsthalle Baden-Baden begins with predecessors to the modern museum and early art collections, then moves on to twentieth-century exhibition methods and the curatorial positions of today. The catalogue expands upon the exhibition concept: instead of photographing the exhibits for publication, various illustrators were hired to draw them, so that the book itself becomes an entirely independent instrument of “display.” Besides the essays and interviews, the volume features works by John Bock, Mariana Castillo Deball, Andrea Fraser, Jeppe Hein, Julian Irlinger, Friedrich Kiesler, Louise Lawler, El Lissitzky, Karin Sander, Sebastian Thewes, Kaari Upson, Pae White, Fred Wilson, and many others. " -- Publisher's website

Museumsgeschichte in Kassel

Die nicht mehr existierende Website "https://www.museumsgeschichte.uni-kassel.de/" wurde im WARC-Format gespeichert