5 research outputs found

    Om at udfordre den svenske exceptionalisme - At undervise som sort

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    Sweden imagines itself as a race-less, tolerant country, purportedly less affected by postcolonial relations than other nations, by virtue of its welfare politics, and its democratic, egalitarian principles. This national self-image, which is situated within a regional discursive framework of Nordic exceptionalism, has been contested by intersectional, postcolonial, critical race and whiteness studies; yet there is a widespread conviction that Sweden has had no real part in the imperial adventure, and therefore remains untouched by colonial and postcolonial social dynamics. These persistent claims to political innocence are often forcefully reproduced as three forms of positioning: sanctioned ignorance, normative colorblindness, and white liberal doubt. Working as a Black scholar and teacher within a postcolonial curriculum in this context involves several challenges. The article adresses the pedagogical challenges I face as a Black film and media studies scholar in pedagogical situations where I teach predominantly white students about media representations of the African Diaspora. Taking my point of departure in Swedish everyday discourse that negates the significance of race, my article visualizes some of the obstacles and challenges that I encounter in teaching situations on predominantly postcolonial courses. While working to encourage students to let go of sanctioned ignorance about racial issues, one of my greatest challenges has been to make them unlearn the colorblindness that has long been a cherished part of Swedish identity

    Visions of Utopia: Sweden, the BBC and the Welfare State

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    Drawing on manuscripts and transcripts of BBC programme output, and material from the Radio Times, and the BBC’s The Listener magazine, this article analyses radio talks and programmes that focused on Sweden in the immediate years after the Second World War when the Swedish model was widely popularised abroad. The article argues that BBC output entangled domestic politics and transnational ideas around post-war reconstruction and welfare. Sweden was used as a lens through which a modern welfare state could be visualised and justified. This was however Utopia in two senses since the image of Sweden presented was in itself a highly idealised representation
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