Outrage and political choice in Nigeria: a consideration of Soyinka's Madmen and specialists, The man died, and Season of anomy

Paper presented at the Wits History Workshop: Democracy, Popular Precedents, Practice and Culture, 13-15 July, 1994

“Don’t tell me this isn’t relevant all over again in its brand new same old way”: imagination, agitation, and raging against the machine in Ali Smith’s Spring

This paper explores the third novel in Ali Smith’s seasonal quartet, Spring. Using Achille Mbembe’s Necropolitics as a conceptual frame, I analyze Smith’s rendering of a Britain grappling with Brexit in times of transnational populism. As with Autumn and Winter, Smith’s prose is saturated with intertextual borrowings from pop and “high” culture, also interrogating the links between “nanoracism” and the “immunity and community” knot (Dillet). This paper reads Spring alongside Smith’s contribution to and advocacy of the Refugee Tales project regarding the diverse discourses surrounding migration, xenophobia, and indefinite detention. Smith’s writing traces the darkness of our populist present with its rhetorical and material violence, as well as the possibilities for creative response and resistance. I argue that her seasonal quartet to date and her work with Refugee Tales aesthetically and ethically defend the principle that human dignity, both individual and collective, rests on the ability to tell stories

‘It Worked in a Different Way’: Male Same-Sex Desire in the Novels of Abdulrazak Gurnah

Abdulrazak Gurnah's novels, Paradise (1994) and By the Sea (2001), make a number of references to male same-sex desire. Many of these propagate an image of older, more experienced men preying on innocent young boys, with negative consequences ensuing. This stereotypical portrayal of a predatory homosexuality is undercut, however, by a number of other thematic strands and, ultimately, Gurnah deploys sexual stereotypes in order to unpack and problematize them. He emphasizes the corrosive effects of trade and colonialism on the sexual economies of East Africa, implicating colonial powers in those same predatory behaviours that are held up for scrutiny in homosexual men. Racial as well as sexual stereotypes are endemic in the corrupt society Gurnah evokes and his subversive use of gossip raises questions about reader complicity in such reductive characterizations. There are also suggestions of a more loving and private enjoyment of male homosexual and homosocial behaviours occurring behind the scenes, which correspond to Eve Kosofsky Sedgwick's (1985) emphasis on male sexuality as a continuum. The seemingly negative portrayal of homosexuality offered in these novels is therefore mobilized precisely to illustrate those quieter forms of same-sex intimacy that it appears to occlude. Finally, just as Gurnah makes clear the losses resulting from the colonial experience, his depiction of same-sex desire can be understood in terms of failure and hidden histories. Accordingly, Heather Love's (2007) work on the pains of queer history can also be applied to these texts