Museums and Heritage Collections in the Cultural Economy : The Challenge of Addressing Wider Audiences and Local Communities

Although more museums are opening now than at any time in the past, too little attention has been paid to the concrete ways in which cultural processes of commoditisation affect heritage production. How can collections speak to wider audiences as well as to local communities in ways that are economically sustainable? This is not a question that invites simple solutions. Turning to ethnographic fieldwork and interviews, this article focuses on The Nordic Heritage Museum in Seattle and Skokloster Castle near Stockholm to explore how these institutions negotiate public participation, engage new audiences, and adapt their operations to meet the demands of the cultural economy they operate in. Drawing on critical cultural theory, the article highlights how different cultural and economic contexts affect museums’ potential to develop, expand, and meet their objectives. The study explains how two particular museums struggle to open their collections to broader publics, which can be understood as part of a wider process of democratisation

När "heritage" blir hippt-kulturarv som mjuk makt i kölvattnet av migration

Essän bygger på flera års forskning om kulturarvsskapande bland nordiska emigranter i USA. Författarens skriver i egenskap av Sverige-Amerikastiftelsens alumna och delger sina erfarenheter av högre studier och forskning inom kulturarvsområdet i USA och Sverige

Heritage in Action : Crafting collections between vernacular and institutional culture

This article is based on ethnographic fieldwork and applies theories of crafting and performance to explore how living heritage practices are rethought, reframed, and refashioned when traditional dress and individual garments are moved, reorganized, and transformed into a collection following rationales derived from both family tradition and museum standards. By following one woman’s emerging collections, the study sheds light on ways of materializing relationships and shaping curatorial agency through acts of crafting. The study aims to show how a deeper understanding of vernacular crafting of collections may inform institutional curatorial practice and heritage-making