Ballet-Suite : Balletstücke aus Opern

rgánico: 2[1.2/pic] 2 2 2 -- 2 2 3 0 -- tmp + 2 -- strperc: tri, tambnCopia digital. España : Ministerio de Cultura y Deporte. Subdirección General de Coordinación Bibliotecaria, s2021Tít. de la carp.: `Iphigenie in Aulis`Partes: Fl 1, 2/Pic, Ob 1, 2, Cl 1, 2, Bn 1, 2, Hn 1, 2, Tp 1, 2, Tbn 1, 2, 3, Tmp, Tri, Tambn, Vn 1 (9), Vn 2 (9), Va (7), Vc (6), Db (4

Ouverture zu der Oper Iphigenia in Aulis

Orgánico: 2 2 2 3 -- 4 3 0 0 -- tmp -- strCopia digital. España : Ministerio de Cultura y Deporte. Subdirección General de Coordinación Bibliotecaria, s2021Tít. de la carp.: `Iphigenia in Aulis (Obertura)`Partes: Fl 1, 2, Ob 1, 2, Cl 1, 2 (1 + 1 Fot.), Bn 1, 2, 3, Hn 1, 2, 3, 4, Tp 1, 2, 3, Tmp, Vn 1 (8), Vn 2 (7), Va (5), Vc (5), Db (4

Gerusalemme liberata

Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment

O del mio dolce ardor [music] = O zephyr soft and kind : aria from "Paride ed Elena" /

Caption title.; Pl. no.: A. H.&Co. Ltd. 44463b.; For voice and piano.; "Original and English words edited by Edgardo Levi"--Cover.; "No. 2 in E minor"--Cover.; Also available online http://nla.gov.au/nla.mus-vn2388053

Trio sonatas, violins, continuo, E major

Breitkopf & Härtels Kammermusik-Bibliothek Nr. 1859. --- Pl. no. 28413. VII

Orpheus and Eurydice

Staging by Appia and Dalcroze at Hellerau in 191

Gavotte [music] /

W. H. P. 1037 (Publisher number). Pl. no.: W. H. P. 1037.; Library's NL copy in poor condition. ANL; Also available online http://nla.gov.au/nla.mus-vn689460

Orpheus and Eurydice

Above: design by Appia ; below: photograph of the staging by Appia and Dalcroze at Hellerau in 191

Partitions d'opéras et d'oratorios pour piano seul, l'arrangement propriété de l'editeur.

64 p. of music ; 27 cm

Le cadi dupé : opéra-comique en un acte mêlé d'ariettes de la composition de Mons[ieur] le Cheval[ier] Gluck

La partition porte une marque d’appartenance au nom de Camille Saint-Saëns, grand admirateur de Gluck.Cette partition musicale manuscrite du Cadi dupé de Christoph Willibald Gluck avec un livret français de Pierre-René Lemonnier est d’origine inconnue. Le Cadi dupé est un opéra comique en un acte dont la première eut lieu au Burgtheater de Vienne en 1761 et qui fut par la suite joué partout en Europe et à travers le monde