Pennsylvania Folklife Vol. 18, No. 2

• The Swiss Bank House in Pennsylvania • Trance-Preaching in the United States • The Sleeping Preachers: An Historical Study of the Role of Charisma in Amish Society • A Central Chimney Continental Log House • The German Journalist and the Dunker Love-Feast • Christmas Customs: Folk-Cultural Questionnaire No. 10https://digitalcommons.ursinus.edu/pafolklifemag/1034/thumbnail.jp

Collision, Collusion and Coincidence: Pop Art’s Fairground Parallel

This article looks at parallel methods, motivations and modes of consumption between formative British pop art and British fairground art. I focus on two strands, the emergent critical work of the Independent Group and the school of artists based at the Royal College of Art under the nominal leadership of Peter Blake. I use iconographical and iconological methods to compare the content of the art, and then examine how pop art tried to create both a critical and playful distancing from established rules and practices of the artistic canon. I focus on non-institutional cultural groupings and diffuse production and consumption models

Bicycles, ‘Barrows, and Donkeys: Pinning a Tale on the Irish Border

A popular smuggling story still told in Ireland concerns a man who crossed the border every day, either on a bicycle or wheeling a wheelbarrow, and usually carrying some sort of load; hay, turf, potatoes, or vegetables—goods that were free from customs duty. The suspicious officials subjected the traveller to regular searches but could never catch him out. This article contextualizes that story in the history of the Irish border during the mid twentieth century, and locates it within Irish folklore traditions, before exploring its probable origin in similar tales found outside Ireland