11 research outputs found
Quinze ans d'observations sur le gène de nanisme chez la poule domestique
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A pilot study of a hospital-based injury surveillance system in a secondary level district hospital in India: lessons learnt and way ahead
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Protein, methionine+cystine and lysine levels for Japanese quails during the production phase
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“That Guy is Gay and Black. That’s a Red Flag.” How HIV Stigma and Racism Affect Perception of Risk Among Young Black Men Who Have Sex with Men
No full textThe increasing prevalence of chronic lymphocytic thyroiditis in papillary microcarcinoma
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Genetic studies of body mass index yield new insights for obesity biology
No full textBased on fieldwork in Trento, Italy, this paper investigates the process of playlisting in three commercial radio stations, illustrating the implicit and explicit norms that define this process. I call special attention to DJs and their activity of mediation between music makers and their audience – an activity that includes the choice and the manipulation of musical material for precise communicative goals. It is my aim to show how the definition of what is appropriate for the playlist, which I define as “playlist value”, is subject to different kinds of constraints. Among these, on the one hand we find more pressing structural restrictions from advertisers, music labels and functional features of the radio; on the other hand, we find less urgent, and yet just as effective cultural constraints, that push DJs to adjust their playlists to those of national network
