15 research outputs found

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    Medievalism, Modernity and Memory: Cropthorne Church, 1892–1910

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    Recorded in the Domesday Survey for Worcestershire (1086), the Church of St. Michael in Cropthorne, Worcestershire is an ancient building with a rich history. Drawing on surviving manuscript and visual sources, this article examines the repairs, restoration and refurbishments made to the interior of St. Michael’s between 1890 and 1910. This was a period in which the ownership of the village shifted from the Anglican Church to private patronage and a time which witnessed many changes to the fabric of the building; notably the extensive refurbishments carried out to the chancel in 1894 by Francis Holland, the Lord of the Manor and the restoration of the rest of Cropthorne church which took more than eighteen years to complete. Highlighting the significance of the Church in rural areas as a place for personal and community memory, this article will consider how these changes to a sacred space used for communal worship were linked to the social changes experienced by the rural community that worshipped within it: moving beyond a purely architectural survey of the building, it will identify the agents of these changes; the processes involved in accomplishing them; and, responses to these alterations. Consequently, the alterations and additions to the interior of St. Michael’s made at the instigation and expense both of the Holland Family of Cropthorne Court and the people of Cropthorne will be analyzed in the context of the changing religious, technological, social, economic and political conditions of the period, which include the effects of the Agricultural Depression and the devastating impact of war

    Tailoring print materials to match literacy levels:A challenge for document designers and practitioners in adult literacy

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    One in three South Africans aged 20 and older has not completed primary school, or has no schooling at all. Communication specialists who are in the business of writing public information documents need to take cognisance of this fact if they are committed to producing documents that meet the needs and skill levels of their different audiences. They also need a basic understanding of the reading strategies of both highly skilled and less-skilled readers, an awareness of the differences in processing and acceptance of visuals by skilled and unskilled viewers, and the ability to translate the relevant user variables into textual variables. This article is aimed at giving an overview of the most important theories that describe and/or explain how low-literate audiences process and react to printed information, and to match these theories with research-based principles and best practices for designing readercentred public information documents. The outcome of the article is a comprehensive set of design heuristics for low-literacy public information materials, based on relevant information-processing features that have been derived from the literature on reading comprehension and visual literacy
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