7 research outputs found
Landskabet som iscenesætter: Vandringsforestillingen A WAY, Mols, 2016.
Landskabet som iscenesætter er et essay af Christine Fentz som omhandler Secret Hotels Vandrefore- stilling A WAY, Mols (2016). Under titlen ”Landscape Dialogues” undersøger Secret Hotel i disse år krydsfeltet mellem deltagerinddragende scenekunst og relationel kunst, bæredygtige tilgange, landskaber og interdisciplinære samarbejder. Vandreforestillingen A WAY blev skabt som en del af denne fortløbende undersøgelse i et samarbejde med den tyske instruktør og teaterpædagog Uta Plate
Between ants, humans, disciplinarities and worldviews: creating a performative work from an interdisciplinary starting-point
This article examines the interdisciplinary working processes involved in creating a performing arts piece about ants. It maps the collaboration between performing artists and scientists from other research areas. It is an investigation of how to approach interdisciplinary work while also navigating different worldviews, using each other as new prisms on oneself and on unknown material
Of art and of land
A presentation of the performing artwork of Secret Hotel and the work of Earthwise Residency – both entities work with the more-than-human, and therefore with an innate sustainable set of values. This also applies to the biannual interdisciplinary symposium Earthbound, which is also presented
Veje og vildveje: Om idealer i kunstnerisk forskning
In this article we present our view on artistic research both in principle and through an art work which comprises both artistic practice and research. Our intention is to emphasize the notion of artistic research in contrast to research [udviklingsvirksomhed] which we ind to be, for strategic reasons, a problematic notion in regard to positioning the field in international as well as in national contexts
Dramaturger om dramaturgi: enquete
Ten Danish dramatrugs from different theatrical fields tell about their daily work and experoences, and their visions for the changing role of the dramaturg in contemporary theatr