816 research outputs found

    For Whom Was Built This Special Shell?’ Exploring the adaptive use of religious buildings as museums, galleries and cultural centres

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    Religious buildings have, for centuries, occupied a crucial position at the heart of our civic centres; anchoring communities through an emphasis on ritual, tradition and continuity. In recent years as urban neighbourhood perimeters shift in response to waves of immigration, and the cohesive congregations that supported them disperse, many buildings face abandonment or closure. In the last twenty‐five years a number of houses of worship have been adapted into museums and venues for cultural exchange, aiming to honour and interpret the religious history of the building while promoting dialogue with a diverse local community. This thesis explores the trend for adapting and converting houses of worship into museums and cultural centres. It assesses three unique sites as case studies: a former synagogue in London’s East End, a functioning synagogue on the Lower East Side of New York, and a former Methodist church in Cape Town, South Africa, as well as emerging sites located in active Anglican churches in London and the south east. My thesis postulates that former sacred places can be re‐animated by an arts group responding to the building’s spiritual legacy; utilising it to demonstrate a powerful link between the existing community and its early congregants. I argue that multiuse buildings which promote secular cultural programming while continuing to house a congregation may appeal to members of the public who do not necessarily identify with mainstream museum culture. This presents the field of museum studies with a new model for the ‘participatory’ museum: a landmark building which can respond to the distinct needs of a multi‐faith, ‘multicentred’ society. The analysis my thesis provides locates my work within at the intersection of theory and practice, and within broader developments in the disciplines of cultural, urban and museum studies, providing a socio‐historical perspective on a new kind of museum. It is intended to be used as a modus operandi for adaptive use by religious buildings

    Mutiny in CĂ´te d'Ivoire

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    Since 1990, Côte d’Ivoire has experienced over a dozen army mutinies, with three major events occurring in the first half of 2017. This paper explores the underlying causes of these events, considering both this year’s mutinies and the state’s prior experiences with military insubordination. A review of the events of Côte d’Ivoire’s tumultuous 2017 indicates a number of parallels with some of its earlier mutinies, though these more recent events are perhaps unique due to the presence of a larger range of dynamics and the scale of the mutineers’ demands. Beyond requests for better pay, which are nearly ubiquitous, these events also illustrate the general hazards of post-conflict civil–military relations, including challenges related to demobilisation, integration of rebel forces, the consequences of soldiers having contributed to a leader’s ascendance, and the perils of soldier loyalties lying with personalities instead of the state.Seit 1990 kam es in Côte d’Ivoire zu mehr als einem Dutzend Fällen von Aufruhr in der Armee; drei bedeutendere Einzelereignisse waren in der ersten Hälfte des Jahres 2017 zu verzeichnen. Die Autoren des Beitrags untersuchen die Hintergründe, indem sie sowohl das Geschehen im ersten Halbjahr 2017 betrachten als auch frühere Erfahrungen des Staates mit Gehorsamsverweigerung von Militärs. Die Analyse der Ereignisse in Côte d’Ivoire im bislang turbulenten Jahr 2017 offenbart Parallelen zu früheren Meutereien, auch wenn die jüngsten Fälle wohl einzigartig sind, was die Breite der Dynamik und die Größenordnung der Forderungen angeht. Abgesehen von den fast immer vorgetragenen Forderungen nach besserer Bezahlung offenbaren die jüngsten Meutereien auch die generellen Gefahren für die zivil-militärischen Beziehungen in Nachkonfliktgesellschaften, wie die Herausforderungen der Demobilisierung und der Integration bewaffneter Rebellen und die Risiken, die sich ergeben, wenn Soldaten zum Aufstieg von Führungspersönlichkeiten beigetragen haben beziehungsweise wenn die Loyalität von Soldaten Einzelpersonen gilt und nicht dem Staat

    For Whom Was Built This Special Shell?’ Exploring the adaptive use of religious buildings as museums, galleries and cultural centres

    Get PDF
    Religious buildings have, for centuries, occupied a crucial position at the heart of our civic centres; anchoring communities through an emphasis on ritual, tradition and continuity. In recent years as urban neighbourhood perimeters shift in response to waves of immigration, and the cohesive congregations that supported them disperse, many buildings face abandonment or closure. In the last twenty‐five years a number of houses of worship have been adapted into museums and venues for cultural exchange, aiming to honour and interpret the religious history of the building while promoting dialogue with a diverse local community. This thesis explores the trend for adapting and converting houses of worship into museums and cultural centres. It assesses three unique sites as case studies: a former synagogue in London’s East End, a functioning synagogue on the Lower East Side of New York, and a former Methodist church in Cape Town, South Africa, as well as emerging sites located in active Anglican churches in London and the south east. My thesis postulates that former sacred places can be re‐animated by an arts group responding to the building’s spiritual legacy; utilising it to demonstrate a powerful link between the existing community and its early congregants. I argue that multiuse buildings which promote secular cultural programming while continuing to house a congregation may appeal to members of the public who do not necessarily identify with mainstream museum culture. This presents the field of museum studies with a new model for the ‘participatory’ museum: a landmark building which can respond to the distinct needs of a multi‐faith, ‘multicentred’ society. The analysis my thesis provides locates my work within at the intersection of theory and practice, and within broader developments in the disciplines of cultural, urban and museum studies, providing a socio‐historical perspective on a new kind of museum. It is intended to be used as a modus operandi for adaptive use by religious buildings

    Optically pure heterobimetallic helicates from self-assembly and click strategies

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    Single diastereomer, diamagnetic, octahedral Fe(II) tris chelate complexes are synthesised that contain three pendant pyridine proligands pre-organised for coordination to a second metal. They bind Cu(I) and Ag(I) with coordination geometry depending on the identity of the metal and the detail of the ligand structure, but for example homohelical (ΔFe,ΔCu) configured systems with unusual trigonal planar Cu cations are formed exclusively in solution as shown by VT-NMR and supported by DFT calculations. Similar heterobimetallic tris(triazole) complexes are synthesised via clean CuAAC reactions at a tris(alkynyl) complex, although here the configurations of the two metals differ (ΔFe,ΛCu), leading to the first optically pure heterohelicates. A second series of Fe complexes perform less well in either strategy as a result of lack of preorganisation
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