PENERAPAN LAGU A MILLION DREAMS DENGAN FORMAT ANSAMBEL DI SMA MUHAMMADIYAH PADANGPANJANG

Penelitian ini diterapkan kepada siswa/i SMA Muhammadiyah Padangpanjang, bertujuan untuk membantu siswa agar mampu mengembangkan potensi dirinya di bidang musik karena sebelumnya seni musik kurang mendapatkan perhatian khusus dibandingkan dari kegiatan lainnya. Disisi lain, instument musik tersebut banyak yang tidak dipergunakan sebagaimana mestinya, oleh sebab itu peneliti memberikan sebuah penerapan ensambel lagu A Million Dreams dalam bentuk ensambel. Penelitian ini berjenis kualitatif sebagai prosedur penelitian yang menghasilkan data deskriptif berupa kata-kata tertulis atau lisan dari orang-orang dan prilaku yang dapat diamati. Penelitian ini menggunakan metode penelitian tindakan “Action Reasearch” dan didukung oleh metode penerapan lainnya; metode ceramah, metode demonstrasi, dan metode eksperimen. Hasil penelitian ini menunjukkan, peserta didik dapat  memainkan lagu A Million Dreams melalui instrumen musik, dapat menyeimbangkan bunyi instrumen yang berbeda secara bersama, dapat menggunakan tempo dan dinamik yang tepat serta dapat bermain instrumen instrumen; Lyra, Gitar, Pianika, Perkusi dengan teknik yang baik. Pada akhirnya para siswa/i mampu mempertunjukkan Lagu A Million Dreams dengan format ensambel musik campuran di lapangan terbuka SMA Muhammadiyah

Keberadaan Musik Cenang Tigo Pada Prosesi Adat Perkawinan Di Kampung Air Meruap Kecamatan Kinali Kabupaten Pasaman Barat (The Existence of Cenang Tigo Music in Traditional Marriage Processions in Air Meruap Village, Kinali District, West Pasaman Regency)

 Penelitian ini bertujuan untuk mengetahui keberadaan, proses, dan bentuk musik tradisional cenang tigo dalam prosesi adat perkawinan maniti anak dan Pai Balimau. Penelitian ini berjenis kualitatif dengan memakai pendekatan sosiologi dan musikologi. Teknik pengumpulan data yang digunakan: studi pustaka dan studi lapangan, sedangkan teknik analisis data: reduksi data, sajian data dan penarikan kesimpulan. Hasil penelitian ini menunjukan bahwa pertunjukan musik tradisional cenang tigo keberadaannya dalam masyaraka,t karena melekat pada upacara adat sehingga sering digunakan oleh masyarakat. Para pemuka adat mewajibkan masyarakat yang melaksanakan prosesi tersebut untuk minta izin terlebih dahulu, hal ini tidak boleh dilanggar dan tidak boleh sembarangan membunyikan atau memukulnya. Secara musikalitas musik cenang tigo dimainkan oleh tiga orang pemain wanita di atas 40 tahun. Dimana masing-masing pemain bermain secara kompak dan indah menggunakan teknik interlocking yaitu melahirkan jalinan pola ritme yang berbeda dari ketiga instrumen. Adapun nada yang dimainkan oleh para pemain cenang tigo antara lain: Cenang Partamo mendekati nada (B/si), Cenang Kaduo mendekati nada (D#/re), dan Cenang Paningkah mendekati nada (G/sol).Kata Kunci : Cenang Tigo, Keberadaan, Prosesi Adat.     ABSTRACTThis study aims to determine the existence, process, and form of traditional cenang tigo music in the customary marriage procession of Maniti Anak and Pai Balimau. This research is a qualitative type using sociology and musicology approaches. Data collection techniques used: literature study and field studies, while data analysis techniques: data reduction, data presentation and conclusion. The results of this study indicate that traditional cenang tigo music performances exist in society because they are attached to traditional ceremonies so that they are often used by the community. The traditional leaders oblige the people who carry out the procession to ask for permission first, this cannot be violated and they cannot be randomly honked or hit. Musically, Cenang Tigo is played by three female players over 40 years. Where each player plays compactly and beautifully using the interlocking technique, which creates a different rhythmic pattern from the three instruments. The notes played by the tigo cenang players include: Cenang Partamo approaching the tone (B/si), Cenang Kaduo approaching the tone (D#/re), and Cenang Paningkah approaching the tone (G/sol).                                                                  Keywords: Form Of Performance, Cenang Tigo Musi

Nilai Estetik Pertunjukan Gondang Borogong dalam Upacara Pernikahan Di Desa Kepenuhan Barat Kecamatan Kepenuhan Kabupaten Rokan Hulu (The Aesthetic Value of Gondang Borogong Performances in a Wedding Ceremony in West Kepenuhan Village, Kepenuhan District, Rokan Hulu Regency)

Penelitian ini bertujuan menyelidiki dan menganalisis bentuk pertunjukan dan nilai estetik yang muncul dalam pertunjukan Gondang Borogong pada upacara pernikahan di Desa Kepenuhan Barat, Rokan Hulu. Saat peneliti mendefenisikan dan menghasilkan data, peneliti menggunakan metode kualitatif serta menggunakan teori: estetika Djelantik dan Monroe Beardsley. Hasil penelitian ini menunjukkan bahwa pertunjukan Gondang Borogong selalu ditampilkan dalam upacara pernikahan dan dimainkan oleh lima orang pemain musik terdiri dari: satu ogong, dua gondang, dan dua calempong. Membawakan lagu wajib berjudul Nayong Lalu yang merupakan lagu persembahan sebagai pengiring silek, salah satu materi pokok dari proses penikahan. Penelitian ini juga menemukan, bahwa pertunjukan Gondang Borogong serat dengan nilai-nilai estetik antara lain: nilai estetis pemain atau seniman, nilai estetik alat musik, nilai estetik lagu, nilai estetik kostum, nilai estetik waktu dan tempat pertunjukan, serta nilai estetik penonton. Disamping itu, nilai-nilai estetik ini memiliki kesatuan hubungan yang saling bersinergi dan tidak terpisah dari pertunjukan Gondang Borogong pada upacara pernikahan.ABSTRACTThis study aims to investigate and analyze the form of performance and aesthetic values that appear in the Gondang Borogong performance at a wedding ceremony in Kepuhan Barat Village, Rokan Hulu. When researchers define and generate data, researchers use qualitative methods and apply theory: Djelantik and Monroe Beardsley aesthetics. The results of this study indicate that the Gondang Borogong performance is always performed in wedding ceremonies and is played by five musicians consisting of: one ogong, two gondang and two calempong. Performing the obligatory song titled Nayong Lalu which is a tribute song as an accompaniment to silek, one of the main materials of the marriage process. This study also found that Gondang Borogong fiber performances have aesthetic values, including: the aesthetic values of the players or artists, the aesthetic values of musical instruments, the aesthetic values of songs, the aesthetic values of costumes, the aesthetic values of the time and place of performance, and the aesthetic values of the audience. Besides that, these aesthetic values have a unified relationship that is synergized with each other and is inseparable from the Gondang Borogong performance at the wedding ceremony

Interpretasi dan Ekspresi Solis Violin: Repertoar Concerto In A Minor, Zapin Kasih dan Budi, Rangkaian Melati dan Amazing Grace (Solis Violin Interpretation and Expression: Concerto In A Minor Repertoire, Zapin Kasih dan Budi, Rangkaian Melati and Amazing Grace)

Artikel ini bertujuan untuk analisis interpretasi dan ekspresi solis violin dalam pertunjukan Concerto in A Minor, Zapin Kasih dan Budi, Rangkaian Melati dan Amazing Grace.  Arikel terkait interpretasi ini penting untuk dilakukan sebagai upaya bagi seorang penyaji dalam membawakan repertoar dengan mengedepankan aspek interpretasi terhadapa karya yang dimainkan. Repertoar Concerto in A Minor merupakan repertoar zaman barok dengan teknik yang meliputi Staccato, Appoggiatura, Arpeggio, Trill, Double Stop dan legato. Repertoar Zapin Kasih dan Budi yang tergolong musik Melayu, menggunakan teknik trio/triplet, legato dan grenek atau triller. Repertoar Rangkaian Melati yang tergolong musik keroncong, menggunakan teknik cengkok (gruppeto), gregel (mordent), mbesut (glissando), trill, Appoggiatura, Legato dan Staccato. Sedangkan repertoar Amazing Grace merupakan musik zaman barok, dengan teknik Sextuplet, Doublestop, vibrato, legato, dan arpeggio. Adapun metode yang digunakan dalam artikel ini ialah analisis interpretatif terhadap karya dalam pertunjukan. Hasil dari artikel ini menyajikan interpretasi dan ekspresi solis terhadap karya yang diwujudkan melalui pemahaman terhadap zaman, style dan teknik dari masing–masing repertoar.ABSTRACTThis article aims to analyze the interpretation and expression of the violin soloist in Concerto in A Minor, Zapin Kasih and Budi, Melati Series and Amazing Grace performances. This article related to interpretation is important to do as an effort for a presenter in bringing a repertoire by prioritizing the interpretation aspect of the work being played. The Concerto in A Minor repertoire is a baroque repertoire with techniques that include Staccato, Appoggiatura, Arpeggio, Trill, Double Stop and legato. Zapin Kasih and Budi's repertoire, which is classified as Malay music, uses trio/triplet, legato and grenek or triller techniques. The repertoire of the Melati series, which is classified as keroncong music, uses the techniques of cengkok (gruppeto), gregel (mordent), mbesut (glissando), trill, Appoggiatura, Legato and Staccato. Meanwhile, Amazing Grace's repertoire is music from the baroque era, with the techniques of Sextuplet, Doublestop, vibrato, legato, and arpeggio. The method used in this article is an interpretive analysis of works in performances. The results of this article present a solo interpretation and expression of the work that is realized through an understanding of the times, styles and techniques of each repertoire

THE TRAINING OF TIE-DYE HANDICRAFT IN “DURIAN SABATANG” STUDIO IN KAMANG MUDIK VILLAGE AGAM DISTRICT SUMATERA BARAT

The training of tie-dye handicraft was the activity of community service toward the community of “Durian Sabatang” studio in Kamang Mudik village, Kamang Magek Sub-district, Agam District, Sumatera Barat. This training aims at empowering village people with their potentials so they can be trained with tie-dye skill. This training is also one of efforts to boost village people’s economy, whether the results of this training can be sold to the neighboring villages (tourism “Bantoroyo, Tirtasari”) or to the market. Methodologically, this community service was categorized as qualitative design so its data that were collected through observation were then described in the form of written/oral words. Hence it was very useful to know, comprehend, and study the data collected during the activities of this community service in order to obtain accurate results of this community service scientifically. These results were then described and arranged into scientific report according to the format of LPPMPP ISI Padangpanjang. This community service used the techniques of observation, interview, and documentation and the methods of lecture, demonstration, and practice.Result achieved in this community service was the high enthusiasm of the teenagers in “Durian Sabatang” studio highly trained during it. It can be seen from these teenagers’ work result namely creating table cloth, bag, shawl, blouse, shirt, handkerchief, and pillowslip by applying the technique of tie-dye into the white fabric of primissima, cotton, weaving, and calico. For the coloring, five kinds of Batik dye with the composition of blue (AS-D+BBB), pink (AS-BS+S.R), yellow (AS-G + M.B), orange (AS + M.GG), and red (AS + M.B). This training was fully conducted with good patience, seriousness, precision, and cooperation so the participants were successful in making the products. This good result has made the participants want to buy additional Batik materials and colors for retraining

Nyanyian anak balam sebuah sajian etnomusikologi di pesisir selatan Minangkabau

Penelitian ini bertujuan untuk mengamati nyanyian anak balam di dalam aktivitas pengobatan yang berfungsi sebagai keindahan komunikasi dalam rangka menyembuhkan penyakit pasien. Metode yang digunakan dalam penelitian ini yaitu metoda kualitatif dalam wujud deskriptif analisis interpretatif dengan pendekatan fenomenologis. Nyanyian anak balam meruapakn salah satu usaha manusia menggunakan suaranya secara berirama

QASIDAH TRAINING OF ELDERLY GROUPS IN SANGGAR "DURIAN SABATANG" JORONG DURIAN KAMANG MUDIK AGAM REGENCY

Training of Qasidah Sanggar Seniors Group "Durian Sabatang" Jorong Durian Kamang Mudik Kab. Agam is an activity of community service, which aims to build and develop Islamic life in society based on Islamic values as praised by Allah SWT because it seems that some people abandon the teachings of Islam. This devotion is also based on the lack of knowledge of artists in Qasidah. Methodologically this devotion is qualitative, meaning that the Qasidah activity data obtained on the ground is done through research observations that are useful for knowing, understanding, and studying in depth. So that accurate results are obtained to be given the next training well according to the science, ability and ability of participants. It is then described in writing through words and compiled in a scientific report. Methods used: survey methods, lecture methods, demonstration methods, imitation methods, practice methods, and question and answer methods. The results that have been achieved in the form of reports, and the show uploaded to youtube named emridawati. Specifically, the achievements of this training are, Qasidah players get knowledge and professional playing skills as evidenced through Qasidah performances at Tirtasari Jorong Sonsang attractions, such as: giving birth to a good sound aesthetic, stable tempo, can start and close the show while singing and maintaining cohesiveness in playing together. The show received an audience response to be re-displayed at a later time